Venue Details

90 Star Starred
Lucie Stern Theatre
1305 Middlefield Rd. Palo Alto, CA 94301
Venue website Get directions

Member Tips


1 said this


Park in lot
1 said this
Parking is free
1 said this
Goldstar Member
The weather was Sunny, hot, high 70's in late October.. I wore Silk outfit that looked good, got lots of comments, BUT didn't protect me from the freezing air-cond. temperature inside the auditorium. BRING A COAT OR BLANKET!.
dress Oct 21 2013 star this tip starred
Goldstar Member
The adjacent lot fills up fast as there are other facilities in the area (children's zoo, library, museum, etc.), there are some street parking in the neighborhood, so get there early.
travel Oct 21 2013 star this tip starred
Goldstar Member
parking on the street worked out just fine
info Oct 21 2013 star this tip starred

Reviews & Ratings

18 ratings
4.6 average rating
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19 events
7 reviews
0 stars
attended Oct 19 2013

Tosca was the first full opera I ever saw performed live. It made quite an impression on me and for years I wanted to see it again. Last Saturday I finally got the chance... continued

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8 events
6 reviews
0 stars
attended Oct 20 2013

The opera was fantastic! Thanks Goldstar!! The singers were superb and the orchestra was brilliant, the sets, especially the backdrop was remarkable! My ONLY complaint... continued

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13 events
6 reviews
9 stars
attended Oct 20 2013

This was an impressive introduction to West Bay Opera! Powerful, dramatic and emotional.

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View All 11 Reviews
More Information



* Sung in Italian with English titles.

About the Ticket Supplier: West Bay Opera

Performing both the familiar and the adventurous, West Bay Opera seeks to please and challenge singers and audiences with three productions per season, one each in October, February, and May. The repertoire includes standard popular works, lesser-known operas and operettas, and occasionally operas by modern composers. Some of West Bay Opera’s greatest successes result from undertaking formidable artistic challenges. Past accomplishments include Bellini’s rarely-performed Norma, Tchaikovsky’s Eugene Onegin in the original Russian, and Wagner’s Der Fliegende Holländer. The principal consideration is always to give talented young opera singers an opportunity to perform challenging roles and, in turn, to give audiences the pleasure of hearing these singers on their way to fame.