Beaux Arts Club: Carol Triffle's Post-Feminist Comedy
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The last date listed for Beaux Arts Club was Saturday May 25, 2013 / 8:00pm.
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Sometimes the most profound way to talk about important issues is to sing about them -- just ask composers like Puccini or Wagner who weaved contemporary concerns throughout their seemingly "ageless" works. The Canticle of the Black Madonna is the latest entry in the great tradition of operas that explore ugly issues with breathlessly beautiful music. Set in Louisiana in 2010, The Canticle chronicles an American soldier's return home -- where he confronts not only the Gulf oil spill, but the equally toxic consequences of Posttraumatic Stress Disorder (PTSD). Lush and stirring, the beautifully-staged production ultimately confirms the healing power of love. Portland's Newmark Theatre will host the world premiere of this superb new opera (in English) from composer Ethan Gans-Morse and librettist Tiziana DellaRovere. Learn More
Reviews & Ratings
This show is recommended for ages 13 and above.
About the Ticket Supplier: Imago TheatreCarol Triffle and Jerry Mouawad, the creators of Imago, have been called alchemists, magicians, theatrical animators, and physical comedians.
Defying classification, they have populated the stage with characters and beings such as comedic amphibians, acrobatic larvae, circus boulders, and metamorphosing humans in works which tantalize the senses, the intellect, and the passions. From adaptations of classics to excursions into vaudevillian existentialism, Imago's repertoire is as vast as the forms they shape. With commissions for stage, film, and television, Imago blurs the lines of the expected to break new ground, exploding performance boundaries yet maintaining humor and humanity.
Imago Theatre tours internationally while also producing a season at its home base in Portland, Oregon. The company's critically acclaimed productions FROGZ and ZooZoo have played at the prestigious New Victory Theatre on Broadway.
"A mastery of mime, dance and acrobatics."
-THE NEW YORK TIMES