The Screwtape Letters: Theatrical Adaptation of C.S. Lewis' Classic Novel
* Additional fees apply.
All offers for The Screwtape Letters have expired.
The last date listed for The Screwtape Letters was Saturday February 12, 2011 / 8:00pm.
Currently at Arlene Schnitzer Concert Hall:
- Full Price:
- $22.00 - $53.00
- Our Price:
The stirring works of Brahms, Barber and more are spotlighted in the latest concert from the acclaimed Portland Youth Philharmonic, now celebrating its 90th season. A pair of solo competition winners are also featured, with double bassist Nicholas Arredondo taking the lead on Bottesini's Concerto No. 2 and violinist Byron Fulop Laing showing his talents on Lalo's Symphonie Espagnole. This awesome afternoon of music gets off to a rousing start with Brahms' Academic Festival Overture and closes with Samuel Barber's Symphony No. 1. Learn More
Quotes & Highlights
“Devilishly funny!”—Associated Press
“Smart, sizzling entertainment!”—The Chicago Sun-Times
“Pure genius…an outstanding piece of work!”—National Review
The Screwtape Letters, the provocative and wickedly witty theatrical adaptation of the C.S. Lewis novel about spiritual warfare from a demon’s point of view, will be presented at the Portland Center for the Performing Arts, Arlene Schnitzer Concert Hall.
This engagement at the Arlene Schnitzer Concert Hall follows its hit nine month run at the Westside Theatre in New York where The Screwtape Letters played over 300 performances! Prior to that, The Screwtape Letters was a sold out hit in Chicago and Washington D. C.
The Screwtape Letters_ runs 90 minutes without intermission. In this topsy turvy morally inverted universe set in an eerily stylish office in hell, God is called the “Enemy” and the devil is referred to as “Our Father below.”
The play follows His Abysmal Sublimity Screwtape, Satan’s top psychiatrist, played by award winning actor Max McLean, and his creature-demon secretary Toadpipe, as they train an apprentice demon, Wormwood, on the fine art of seducing an unsuspecting human “patient” down the “soft, gentle path to hell.”
Along with The Chronicles of Narnia (including The Lion, The Witch and The Wardrobe), The Great Divorce and Mere Christianity, The Screwtape Letters is still one of Lewis’ most popular and influential works. The book’s piercing insight into human nature and the lucid and humorous way Lewis makes his readers squirm in self recognition made it an immediate success. When first published in 1942 it brought worldwide fame to this little-known Oxford don including the cover of Time Magazine.
Lewis dedicated it to his close friend J. R. R. Tolkien who had expressed to Lewis that delving too deeply into the craft of evil would have consequences. Lewis admitted as much when he wrote “Though I had never written anything more easily, I never wrote with less enjoyment . . . though it was easy to twist one’s mind into the diabolical attitude, it was not fun, or not for long. The work into which I had to project myself while I spoke through Screwtape was all dust, grit, thirst, and itch. Every trace of beauty, freshness, and geniality had to be excluded.”
Produced by New York City based Fellowship for the Performing Arts. Max McLean serves as Artistic Director. Executive Producer and General Manager is Ken Denison of Aruba Productions. Scenic Design is by Cameron Anderson, Costumes by Michael Bevins, Lighting Design by Jesse Klug, and Original Music and Sound Design by John Gromada.