Dazzling and Controversial Guitarist Ottmar Liebert Plays With His Band
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The last date listed for Ottmar Liebert and Luna Negra was Tuesday September 3, 2013 / 7:00pm (Doors Open at 5:30pm).
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It's been 20 years since Nine Inch Nails and Soundgarden shared the same bill, but this summer the alternative rock legends are reuniting and bringing their highly anticipated U.S. tour to the Sleep Train Amphitheatre. Known for their groundbreaking sound and dynamic live shows, the Trent Reznor-led Nine Inch Nails brought industrial rock to the masses in the '90s, from their breakthrough hit "Closer" to mid-2000s rocker "The Hand That Feeds" and beyond. Fronted by Chris Cornell, one of modern rock's greatest singers, Soundgarden dominated '90s alternative rock radio with anthemic ballads ("Black Hole Sun"), high-energy rockers ("Spoonman") and chart-topping slow burners ("Fell on Black Days"). Here's your chance to experience two of the biggest bands of the last quarter-century in one rockin' summertime concert under the stars. Learn More
Although _La Semana _is the first Ottmar Liebert + Luna Negra album with all-new songs in five years, the multi-faceted, Grammy-nominated, platinum-selling guitarist has been his usual prolific self, writing, drawing, touring and exploring, his myriad experiences informing the 13 evocative instrumental compositions on La Semana.
Like his music, Liebert is respectful, creative and open-minded; a thoughtful artist who likes to begin albums with a concept and structure, even if it’s an untraditional one. But he’s also intuitive and open enough to let the music decide what it wants to become. Thus, the more than an hours worth of songs on La Semana began with a firm direction, though ultimately the record found a different path to completion. “I usually start with a title before I start an album,” Liebert explains. “The title decides what the palette will be; what sounds I’m going to use. It’s very important for me to set certain limits. Will it be a color album or black and white? To me, La Semana is a drawing. As such, musically the record is back to basics with the wooden box drum used in flamenco, the clapping, and the palmas. It’s all one acoustic guitar, no electric, no lutes, no steel string guitars.”