Alonzo King's LINES Ballet at Yerba Buena Center for the Arts
* Additional fees apply.
All offers for Alonzo King's LINES Ballet have expired.
The last date listed for Alonzo King's LINES Ballet was Sunday April 16, 2006 / 7:00pm.
Currently at Yerba Buena Center for the Arts Lam Research Theater:
- Full Price:
- $57.00 - $72.00
- Our Price:
- $28.50 - $36.00
A gleeful romp through some of Broadway's most beloved numbers and two exciting world premieres will take center stage as Smuin Ballet closes out its 20th anniversary season with XXcentric. Choreographed by the company's late, great founder Michael Smuin, Dancin' With Gershwin explores the evolution and reinvention of American dance, with a little help from the Great White Way. The world-premiere ballet But now I must rest comes from Smuin choreographer-in-residence Amy Seiwert and draws inspiration from the lush music of Cesária Évora, aka the Queen of Morna. The program's other world-premiere piece, choreographer Val Caniparoli's Tutto Eccetto il Lavandino (everything but the kitchen sink), blends the music of Vivaldi and the company's high-energy athleticism with wit and reflective beauty. Learn More
Alonzo King’s choreography interlinks the dancers in dynamic, ever-changing patterns that stretch into graceful attenuation before they fluidly transform. Gathering energy from the extension of pure lines into concentric circles, the dancers emerge from interludes of rhythmic intensity into serene, lyrical grace.
_Following the Subtle Current Upstream
_Music: Zakir Hussain, Miriam Makeba, Miguel Frasconi
This spring marks the Company Premiere of Alonzo King’s Following the Subtle Current Upstream, a work hailed by the New York Times as “spectacular in its visual and kinetic impact.” Tremendously popular since its creation in 2000, it has toured the world as part of the repertoire of the Alvin Ailey American Dance Theater.
Without Wax pas de deux
Music: Bohuslav Martinu
Behind this title is a story about the origins of the word sincere: that it derives from the Latin sine (without) + cera (wax), because master sculptors and stone-crafters could work flawlessly, without the need to disguise any cracks in their pieces with wax. In 1992, this ballet became part of the repertoire of the Ballet Frankfurt
Soothing the Enemy
Music: Leslie Stuck
This piece, which premiered in 2000, is the first collaboration between Alonzo King’s cutting-edge choreography and Leslie Stuck’s experimental electronic music. Playing with the elastic potential of percussion and a daring, deft sense of transformation, Leslie Stuck’s music gives the dancers a limitless space in which to move. “The great challenge of this first collaboration,” Leslie Stuck says, “was that Alonzo values authenticity, and that is so difficult to achieve with a computer. What finally worked for me was imagining a lone musician playing on a mountaintop, with the wind replying.”