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Benny Goodman Centennial Salute with Eddie Daniels and Jim Rothermel

Herbst Theatre at the San Francisco War Memorial Building (401 Van Ness Ave San Francisco, CA 94102)
Eddiedaniels-100909
Full Price:
$25.00 - $45.00
Our Price:
$12.50 - $22.50*
4.3 by 9 members
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No reed player is better equipped to celebrate Goodman's centennial than Eddie Daniels, a clarinet virtuoso (and top-shelf tenor saxophonist) who may be the greatest living interpreter of the Goodman repertoire. Daniels brings a modern sensibility to those classic tunes indelibly tied to the King of Swing. Bay Area clarinetist Jim Rothermel opens the show with his own take on Goodman's huge legacy.

* Additional fees apply.

All offers for Benny Goodman Centennial Salute have expired.

The last date listed for Benny Goodman Centennial Salute was Wednesday October 21, 2009 / 7:30pm.

Currently at Herbst Theatre at the San Francisco War Memorial Building:

Cello-concert

Philharmonia Baroque Orchestra Plays Schumann's Cello Concerto

Full Price:
$25.00 - $67.00
Our Price:
$12.50 - $33.50

British violoncello soloist Steven Isserlis and the Philharmonia Baroque Orchestra, under the baton of conductor Nicholas McGegan, perform a trio of 19th-century works by that era's leading composers, highlighted by Robert Schumann's 1850 Cello Concerto. An award-winning cellist and educator, Isserlis is a noted expert on Schumann, and recently released a full disc featuring his works. Felix Mendelssohn's evocative overture from The Fair Melusine, based on a Goethe story, opens the program, while Brahms' Serenade No. 2 provides the stirring finale. The Philharmonia is now in its 31st season of entertaining Northern California audiences, and offers a discussion with Scott Foglesong prior to each performance. Learn More

401 Van Ness Ave
San Francisco, CA 94102
415-392-4400
712343untitled

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Rating_3_0
Whle the song list was fantastic and the musicians were exceptional, the venue was much too big and the small audience was not very enthursiastic. Should have been at a locaton, like SF YOSHI's.
Written on Oct 22 2009

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I very much enjoyed the show. Eddie Daniels could have played more Goodman, but he still sounded great. And Jim Rothermel was in find form, both musically and with historical comments on the songs.
Written on Oct 22 2009

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Rating_5_0
Eddie Daniels was the bomb and I hung on every note----what a pleasure-
I liked Jim also but I really liked the Jazz with Eddie
Written on Oct 31 2009

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Excellent! Glad we went.
Written on Oct 22 2009

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More Information About Benny Goodman Centennial Salute

Website

http://www.sfjazz.org/concerts/2009/fall/artists/daniels.php

Quotes & Highlights

Description

Born in 1909, Benny Goodman became one of the first instrumental superstars in jazz, an exceptionally gifted clarinetist and savvy bandleader who launched the Swing Era with a book of killer-diller arrangements by Fletcher Henderson, Benny Carter and Edgar Sampson. No reed player is better equipped to celebrate Goodman’s centennial than Eddie Daniels, a sensational clarinet virtuoso (and top-shelf tenor saxophonist) who may be the greatest living interpreter of the Goodman repertoire. Daniels is also an accomplished classical player who has thrived in big bands, particularly as a founding member of the Thad Jones-Mel Lewis Orchestra. With more than two dozen albums to his credit, Daniels brings a modern sensibility to those classic tunes indelibly tied to the King of Swing. Bay Area clarinetist Jim Rothermel opens the show with his own take on Goodman’s huge legacy.

About the Ticket Supplier: SFJAZZ

SFJAZZ presents a wealth of year-round programs, including the internationally acclaimed San Francisco Jazz Festival, the SFJAZZ Spring Season and numerous community outreach and education programs.

Founded in 1983 under the name of Jazz in the City, the organization adopted its new identity as SFJAZZ in late 1999, in recognition of its expansion from seasonal music presenter to year-round arts institution.

All SFJAZZ programs reflect a spirit of artistic exploration, embracing the full breadth of jazz and its related musics; emphasize thematic programming, with tributes to jazz masters and celebrations of particular musical instruments, trends or styles; and strive to instill enthusiasm for jazz among wider audiences.