Actors Theatre of San Francisco
Actors Theatre of San Francisco is a cozy black box theater in San Francisco's Nob Hill neighborhood.
Actors Theatre of San Francisco (San Francisco, CA)
Martha, the daughter of the college president, much to the consternation of her husband, George, a "forty something" professor of history, invites an ambitious young academic and his naive wife for late night drinks. Who's Afraid of Virginia Woolf? is a dark brilliant comedy about the private lives and painful secrets of the two couples, written by three-time Pulitzer Prize winner Edward Albee.
Event summary prepared by the Goldstar Editorial Team.
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The last date listed for Edward Albee's Who's Afraid of Virginia Woolf? was Saturday January 23, 2010 / 8:00pm. (view all dates)
Currently at Actors Theatre of San Francisco:
Actors Theatre of San Francisco presents Tennessee Williams' Suddenly Last Summer. Following the mysterious death of New Orleans' Sebastian Venable on a trip to Europe, his sister and mother are forced to confront the horrific secret that led to his demise. The 1959 film version starred Katharine Hepburn and Elizabeth Taylor. Learn More


The leads, Martha and George, are particularly strong which - given that it's really their story - is critical to the production. It's an exhausting play to watch so make sure you're up for that type of emotional ride.
An incredible show. Superb performances by all actors (especially the part of George).
Although the show is 3 hours long (not including two 10-minute intermissions), I was interested the entire time, and I never knew where the ultimate plot line was heading until the end.
Just a great, great play and performance.
Bravo!


Very long and exhausting, but in a good way. For the life of me, I can't imagine how the cast memorizes those lines! I might suggest they start at 7pm on weeknights and hold the intermission times to 10 minutes, but it was quite the theater experience.
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Website: http://www.actorstheatresf.org/home
Martha, the daughter of the college president, much to the consternation of her husband, George, a "forty something" professor of history, invites for late night drinks a newly arrived on campus and ambitious young academic, Nick, and his naive wife, Honey. Fueled by prodigious consumption of alcohol, George and Martha ensnare the guests in their no holds barred verbal warfare during which the deepest confidences are betrayed, facades of civility ripped away, pretension and self respect destroyed. And yet the curious alliance of George and Martha survives the maelstrom of their drunken Saturday night and gives promise of redemption in the dawn of Sunday morning.
Who's Afraid of Virginia Woolf? opened at Broadway's Billy Rose Theater on October 3, 1963, starring Uta Hagen and Arthur Hill as the battling George and Martha. It ran for 664 performances and won the New York Drama Critics Circle Award andy the 1963 Tony Award for Best Play. It was made into a popular film starring Elizabeth Taylor and Richard Burton in 1966, for which Taylor won an Academy Award for Best Actress.
The title refers to Virginia Woolf (1882-1941), an influential British feminist writer who pioneered the 'stream of consciousness' literary style while examining the psychological and emotional motives of her characters. She suffered from mental illness and ultimately went insane and committed suicide.
This Actors Theatre of San Francisco production features Christian Phillips as George, Rachel Klyce as Martha, Alex Garcia as Nick and Jessica Coghill as Honey. Directed by Keith Phillips, Assisted by John Krause. Design by Biz Duncan, Rachel Klyce, James Baldock.
Founded in August of 1989 by a group of professional actors and directors who shared a common desire to produce ensemble theatre works, the founding members of the Actors Theatre of San Francisco committed themselves to creating a permanent repertory company whose work would reflect their ideals of ensemble theatre: a theatre where all the participants share the same artistic vision, have a unified approach to the rehearsal process and a desire to create revelatory theatre that surpasses their desire for individual gain. The founding members gave themselves no restriction as to style, content or period. Instead, they committed themselves to producing theatre that is designed to enlighten and illuminate the human condition.