Sophocles' Elektra: Olympia Dukakis Stars in A.C.T.'s Exciting Update
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The last date listed for Elektra was Sunday November 18, 2012 / 2:00pm.
Currently at A.C.T.:
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- $20.00 - $140.00
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A.C.T.'s acclaimed, music-infused adaptation of Dickens' beloved tale returns, in a sumptuous production that's become one of the Bay Area's favorite holiday traditions. A large, lively cast tells the story of lonely old miser Ebenezer Scrooge, a bah-humbuggy sort who's shown a second chance by four ghosts who visit him one spooky Christmas Eve. A classic story of redemption and forgiveness, A Christmas Carol captures the true spirit and magic of the holiday season, especially in this imaginative version written by A.C.T.'s own artistic director Carey Perloff and alumnus Paul Walsh. Learn More
Reviews & Ratings
Featured review from Lindsey Evje
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I'm afraid Ms. Perloff has exceeded her sell-by-date at ACT. She cannot direct, and this sad production is further proof. Ms. Augeson's 90 minutes of sobbing certainly proves that she has stamina, but it's a shame that she couldn't find anything more interesting to do with the role, because she is such a talented actor. The actor playing Orestes needs to learn basic acting skills; beginning with speaking. The casting of the MFA students must have been to save money, because neither one of them could act. Olympia Dukakis at times looked as though she could have throttled the bunch of them. Costumes? The designer couldn't decide on which period and the set was typically, and disappointingly edgy and irrelevant. We went to this production with such high hopes; love Ms. Dukakis, and have great respect for Rene Augeson, but this production is quite dreadful. And PLEASE, raise the bar for the MFA programme! It is evident that ACT has become a vanity project for Ms. Perloff - and it is the company, and its reputation, that is suffering.
Quotes & Highlights
- "Shattering in its poignancy ... " --Los Angeles Times
- "[Dukakis's] every gesture serves to communicate; this is a study in the art of acting." —Variety
Direct from its sold-out premiere in Los Angeles, American Conservatory Theater (A.C.T.) continues its 2012–13 season with A.C.T. Artistic Director Carey Perloff’s sweeping production of Sophocles’ Greek tragedy Elektra—featuring a specially commissioned new translation by Olivier Award–winning British playwright Timberlake Wertenbaker, an original score by Pulitzer Prize–winning composer David Lang, and Academy Award winner Olympia Dukakis, reuniting the team that brought Bay Area audiences the 1995 critically acclaimed, smash-hit production of Euripides' Hecuba. Love and revenge take center stage in Elektra, which will haunt the A.C.T. mainstage just in time for Halloween. Clocking in at an intense 90 minutes, this new interpretation of the timeless Greek tragedy is a fast-paced thriller—of epic proportions. After her father, King Agamemnon, is murdered by her mother and her mother’s lover, Elektra is consumed by grief and fiercely intent on revenge. Every day, she prays to the gods that her exiled brother, Orestes, might return to help her avenge their father’s death, and every night, the silence of the gods drives her closer to madness. As Sophocles’ iconic tragedy depicts humanity in its most extreme behavior, Elektra engages the audience as judge and jury—a stark reminder that we are all witnesses to our shared history.
Perloff first directed Sophocles’ Elektra more than 20 years ago at New York’s Classic Stage Company, in a world premiere of a translation by poet Ezra Pound. The new translation by Wertenbaker penetrates the emotional complexity not only of the title figure, but her exiled brother, her desperate sister, and her paranoid mother. Wertenbaker’s version preserves the formal structure of the ancient language, while at the same time creating a vividly alive and contemporary feel. David Lang’s original music, performed live by cellist Teresa Wong, will add to the emotional landscape of the production—a truly inventive and fiercely passionate composer, Lang has been described by the New Yorker as “an American master.”
Elektra features two of A.C.T.’s most beloved performers: core acting company member René Augesen (recent productions of Once in a Lifetime, The Homecoming, and Clybourne Park at A.C.T.; Blithe Spirit at California Shakespeare Theater ) in the title role and associate artist Olympia Dukakis (Vigil and Hecuba at A.C.T.) as the Chorus Leader. They are joined by Caroline Lagerfelt (Mary Stuart at A.C.T.; TV’s Gossip Girl) as Clytemnestra, core acting company member Anthony Fusco (recent productions of Race, The Homecoming, and Clybourne Park at A.C.T. ; Blithe Spirit at California Shakespeare Theater) as the Tutor, Nick Steen (current third-year A.C.T. Master of Fine Arts Program student) as Orestes, Allegra Edwards (current third-year A.C.T. Master of Fine Arts Program student) as Chrysothemis, and associate artist (and former core acting company member) Steven Anthony Jones (artistic director of San Francisco’s Lorraine Hansberry Theatre) as Aegisthus.