Off-Market Theater
The Off-Market Theater consists of two small black-box spaces, which have played host to "nomadic" theater companies, sketch and improv groups, spoken-word artists and musicians.
Off-Market Theater (San Francisco, CA)
PianoFight presents an original comedy, FORKING!, a fully scripted play in which the audience votes on how the plot will proceed. Six 20-to-30-somethings who live together are thrust into or out of the sack with other characters, depending on how the audience votes. Each potential "fork" is scripted, and the sum of each audience vote will determine the outcome of the play.
Event summary prepared by the Goldstar Editorial Team.
* Additional fees apply.
All offers for FORKING! have expired.
Tell me when more tickets / dates are added
The last date listed for FORKING! was Saturday January 31, 2009 / 8:00pm. (view all dates)
Currently at Off-Market Theater:
This original female-driven variety show, Monday Night ForePlays, is written, directed, produced and starring an all-star cast of ladies. The show includes a titillating collection of comedic sketches touching on performance anxiety, bodily functions, relationships, robots, office politics, writer's block and sex. The show will also feature original dance numbers and a rotating line-up of musical acts, as well as special additions ranging from burlesque acts to comedians. Learn More


This was a very entertaining laughfest -- truly a fun piece of work! It had "The Smiths" rolling. It was presented as a series of inter-related vignettes reminiscent of the extreme animated reality show "Drawn Together" from Comedy Central, or better yet the demented soap opera satire "Mary Hartman, Mary Hartman" from 1976/1977.
We even called for an encore! And in that vein, I would suggest the players prepare something akin to movie out-takes where they can come back out and do an alternative ending, or something of that nature.
Truly fun stuff! And kudos to the young pianist. That was a nice addition. He really helped set the mood.


FORKING had a few moments... and I mean few… and moments... of funny. It was essentially a group of drinking buddies who seemed to be demonstrating their personal lives on stage. It appeared that at least half of the audience was made up of their friends (perhaps bar pals?). The theme was swearing, getting laid, and pounding beers. Not acting as if pounding beers - actually doing it - the cast and crew were audibly (crack, pshhhhht) and visibly opening and passing around cans of beer - constantly. And some of their pals came with their own flasks of stronger drinks. Drinking can be great, I love sex, and I'm way above average on the vulgar scale, but that's pretty much all this consisted of. Any of those things, or just about any subject for that matter, can be made interesting if written cleverly and performed well. But none were handled cleverly or interestingly at all. I suppose "FORKING" is meant to imply the voting "forks" in the plot, but it was used much more as a sex reference (what rhymes with fork? the word most used in this play), and most votes were weather or not two people have sex. And you gotta love a cast that high fives, shakes hands, and accepts kudos from good friends and crew as they go on and off stage from the side of the theater – like a football team. And don’t come thirsty unless you like beer. They sell snacks - cookies, brownies, etc. - but there is one beverage available. Beer! I love some of our local theater here in San Francisco, but unfortunately this kind of thing gives local theater a bad name and keeps audiences away from the good shows.


I went to the last showing in San Francisco, so this probably would not of much help to anyone. Nonetheless, I would like to comment that it was better than I expected. The theater is quite small, and there isn't really a bad seat in the house (unless you are short then sit in front). However, you do want to arrive early if you want to sit with your friends and to avoid not having a seat at all because they usually are fully booked. I suggest sitting near the aisles since most of the action happens on the couch in the middle of the stage. It does get quite warm in there, so wear layers that you can easily take off.
Towards the end, the voting felt sort of tired and overdone, as if they were trying to turn the plot around. I could see how the voting system is somewhat biased because the audience voting for the second choice could simply clap LOUDER and LONGER than the audience who voted for the first choice. I saw that happening a few times and caught on. Overall though, it's a solid show and definitely worth the trip.
Tips are provided by Goldstar members and PianoFight Productions. Goldstar is not responsible for their content or accuracy.
Website: http://www.pianofight.com
<p>This full-length play came about after SF native Daniel Heath’s short play Twice as Bright was awarded the top prize in Pianofight’s “ShortLived,” a three-month competition of 22 short plays by local writers (that SF Weekly deemed “Better than SNL”), the winner chosen by the audiences. Heath’s prize? The opportunity to write a full-length piece on anything of his choosing, to be produced by PianoFight for a month-long run in the theater the company manages, Studio 250. After a few boozy creative sessions, Heath delivered a whopper with twists, turns, and multiple endings. And he did it having never before written a full-length play.</p> <p>The story centers around Chastity, a wedding photographer with a bad knee and no health care, and Joshua, a Canadian who will lose his job if he can't get his visa renewed. After a night of heavy drinking, the two decide that the best way to solve both their problems is to get married – giving Chastity health coverage as the new spouse of Joshua, who would become an American citizen by marrying Chastity. The only problem: Will the audience get them to their joyous day?</p> <p>Starring PianoFight mainstays Christy Crowley, Stefanie Goldstein, Nina Harada, Kate Jones, Jeremy Mascia, Rob Ready and Dan Williams, and featuring Ray Hobbs and Jacque Vavroch, the play is directed by Eric Reid, who also helmed Heath's winning piece in “ShortLived.” </p>
PianoFight was voted the Best Theater Company in San Francisco in SF Weekly's 2009 Readers' Poll.