Lamplighters Present Gilbert & Sullivan's The Gondoliers at YBC
* Additional fees apply.
All offers for Gilbert & Sullivan's The Gondoliers have expired.
The last date listed for Gilbert & Sullivan's The Gondoliers was Saturday January 21, 2012 / 2:00pm.
Currently at Yerba Buena Center for the Arts Lam Research Theater:
- Full Price:
- $35.00 - $75.00
- Our Price:
- $20.00 - $37.50
San Francisco's internationally acclaimed contemporary dance company ODC/Dance celebrates their 43rd season with the world premiere of boulders and bones ("A" program), inspired by the work of visual artist Andy Goldsworthy, and including collaborations with Zoë Keating, Alexander V. Nichols and RJ Muna. In their "B" program, they revisit their 2013 smash hit Triangulating Euclid created by ODC artistic directors Brenda Way and KT Nelson in collaboration with New York choreographer Kate Weare. Two if by Sea gets new choreographic treatment by ODC associate choreographer Kimi Okada, and the company reprises the beloved Unintended Consequences: A Meditation. Learn More
Reviews & Ratings
Greet the two kings, who, because of mistaken identity, have acquired three would-be queens! The sparkling, emerald Adriatic Sea… the sun-dappled, lazy waters of the Grand Canal… singing Gondoliers and Contadine… and the “Cachucha” danced at the Royal Court at Barataria make The Gondoliers a heartwarming Venetian valentine, wrapped in Sullivan’s most beautiful music and tied with one of Gilbert’s most fanciful libretti.
While most Gilbert & Sullivan operettas are strictly set within the confines of the composer’s home country of England, The Gondoliers score was widely influenced by a visit Sullivan made to Italy in 1888. Italian folk dances such as the tarantella and saltarello jostle with other vivacious national dances such as the cachucha (a fast gypsy dance from Spain) and operatic influences including Bellini, Bizet, Handel and Mozart. The entire score is sung in English.
The Gondoliers involves a pair of handsome Venetian gondola oarsmen and a mix up of identities at birth. Along the way to resolving the confusion, Gilbert skewers issues of social equality and the class system with his usual brilliant wit and groundbreaking lyrics. When The Gondoliers premiered in London in 1889, it was given the highest critical acclaim from local media and from England’s Queen Victoria herself, who was so moved that she wrote extensively in her personal diary of the show’s inescapable charm. One journalist reviewing the production wrote, plainly, “It is not opera or play. It is simply entertainment – the most exquisite entertainment we have ever seen.”