Venue Details

1662 Star Starred
A.C.T.
near the corner of Geary and Mason 415 Geary St. San Francisco, CA 94102
415-749-2228
Venue website Get directions
fogcitygal
The cookies that they sell for $2 each are completely hard and stale.
Old Hats info Sep 29 2014 star this tip starred
fogcitygal
You're wasting your money to sit in the balcony at this theater. The rack of lights attached to the front of the balcony blocks the view of those in the front row, so they lean forward at the edge of their seats to see action at the front of the stage. The balcony is VERY steeply raked, so when they lean forward, a ripple effect occurs where the people in the second row also lean forward to try to see around the heads of the people in the front row who are now blocking their view, and so on and so on. If those in the front row are inconsiderate jerks, they stay leaned forward through the entire show, and no one behind them can see. Absolute sightline FAIL. The lighting rig needs to be redesigned!!! The owners of this theater don't give a crap about screwing over balcony patrons. I politely asked the usher to ask the people in the front row to sit back, and he point-blank refused to do so.
Old Hats info Sep 29 2014 star this tip starred
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Reviews & Ratings

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10 events
2 reviews
14 stars
attended Feb 11 2007

The play was very well acted, well-directed, and staged. I know this play very well so was occasionally surprised by the notes of humor (mostly playing up the ironies of the play) that evoked laughter from the crowd, since I usually think of this...continued

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Description

Who is Hedda Gabler? Is the beautiful bride a victim or a villain? Is she a pistol-packing “new woman,” or the demure last gasp of a dying social order?

Ibsen’s work is still as relevant now as it was in the 19th century. With Hedda Gabler, A.C.T. brings to life Ibsen’s tragic and complex study of one of the most compelling and contradictory women in dramatic literature. Hedda might be a master manipulator who destroys others out of sheer boredom, or the collateral damage wrought by unfortunate circumstances, but this much is clear: After a tedious six-month honeymoon, Hedda returns home to face her new married life—her lavish house, her tenuous wealth, the return of a passionate former lover—and, most terrifying of all, her own self.

By Henrik Ibsen

Translated from the Norwegian by Paul Walsh

Directed by Richard E. T. White

Featuring René Augesen