Hollywood "Players" Live the Wild Life in Hurlyburly
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The last date listed for Hurlyburly was Saturday June 30, 2007 / 8:00pm.
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Steve Silver's Beach Blanket Babylon is the world's longest-running musical revue. Since 1974, this San Francisco institution has followed Snow White on a musical comedy quest around the world, where she runs into satirically portrayed pop-culture and political celebrities, an impressive array of gigantic hats and one showstopping musical number after another. Because the show is constantly updated with new costumes, hats and characters, it rewards repeat visits. Among the familiar faces you might see spoofed in Beach Blanket's latest incarnation: Lady Gaga, Barack and Michelle Obama, the cast of Glee, Kate Middleton and Adele. Even after nearly 40 years, Beach Blanket Babylon remains one of San Francisco's wildest evenings of live entertainment. Learn More
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Actors Theatre of San Francisco presents Hurlyburly by award-winning dramatist David Rabe. Widely hailed as one of the greatest American plays of the 1980s, the story centers on Eddie and his outrageous world. It exists at the juncture where Hollywood meets the mountains and where the almost-rich and not-yet-famous live on cheap thrills and heady ambition. Here, Eddie and his three best friends engage in a wild life of witty repartee and snappy come-backs, of ex-wives and future lovers, of hard partying and late nights, and of sex, lies and self-obsession. They continue their entertaining and manic pursuit of sensation until a series of encounters with destiny and even death convince Eddie to plunge beneath the surface...and discover his soul.
Hurlyburly is David Rabe's seventh play. After a brief run at Chicago's Goodman Theatre, Hurlyburly was staged successfully in New York, off-Broadway, at the Promena de Theatre during the summer of 1984. Mike Nichols directed an all-star cast including Sigourney Weaver, William Hurt, and Jerry Stiller. Hurlyburly later transferred to Broadway and ran for 343 performances.
Directed by Keith Phillips and Kenneth Vandenberg.
About the Playwright:
American playwright David Rabe was born on March 10, 1940, in Dubuque, Iowa. After graduating from Loras College in Dubuque, he began graduate studies in theater at Villanova University, but he was drafted into the U.S. Army in 1965. He served until 1967, spending eleven months of this time in Vietnam. Rabe returned to Villanova, studying writing with Raymond Roseliep, Dick Duprey, and George Herman. During this time, he began work on Sticks and Bones, the first play in a loose trilogy dealing with a Vietnam veteran and the war. The Basic Training of Pavlo Hummel (1971) and Streamers (1976) completed the trilogy.
While working as a feature writer for the New Haven Register in 1969 and 1970, he won an Associated Press Award. Rabe returned to Villanova to teach playwriting and film criticism in the early 1970s. Joseph Papp produced The Basic Training of Pavlo Hummel in 1972 at the New York Shakespeare Festival and a later Broadway production starred Al Pacino. The play garnered Rabe an Obie Award (Off-Broadway) for distinguished playwriting, the Drama Desk Award, and the Drama Guild Award. The first play from the trilogy, Sticks and Bones, won the Elizabeth Hull-Kate Warriner Award from the Dramatists Guild, a Variety poll award, an Outer Critics Circle Award (1972), and the 1972 Tony Award for best play of the 1971-72 season on Broadway. In the Boom Boom Room (1973), the story of a go-go girl from Manayunk (near Villanova), received a Tony nomination for Best Play. The final part of the Vietnam trilogy, Streamers, received another Tony nomination as well as the 1976 New York Drama Critics Circle Award for Best American Play. Hurlyburly, about the connected lives of a few Hollywood players, premiered at the Goodman Theatre in Chicago in 1984, receiving a Tony nomination for Best Play in 1985. The Dog Problem premiered Off-Broadway in 2001
About the Ticket Supplier: Actors Theatre of San Francisco
Founded in August of 1989 by a group of professional actors and directors who shared a common desire to produce ensemble theatre works, the founding members of the Actors Theatre of San Francisco committed themselves to creating a permanent repertory company whose work would reflect their ideals of ensemble theatre: a theatre where all the participants share the same artistic vision, have a unified approach to the rehearsal process and a desire to create revelatory theatre that surpasses their desire for individual gain. The founding members gave themselves no restriction as to style, content or period. Instead, they committed themselves to producing theatre that is designed to enlighten and illuminate the human condition.