Dark Comedy Indigo Don't Vote
The Shelton Theater (533 Sutter St. San Francisco, CA 94102)
- Full Price:
- $20.00
- Our Price:
- $10.00*
* Additional fees apply.
All offers for Indigo Don't Vote have expired.
The last date listed for Indigo Don't Vote was Saturday February 26, 2005 / 8:00pm.
Currently at The Shelton Theater:
Secret Improv Society: SF Underground Improvisation
- Full Price:
- $20.00
- Our Price:
- FREE - $10.00
Secret Improv Society's popular theatrical shows blend improvised theater, comedy and music to produce a totally unique form of entertainment. San Francisco's best improvisers, comedians and musicians join the quick-witted cast in applying their unique creative process to whatever the audience throws their way. Learn More
More Information About Indigo Don't Vote
Quotes & Highlights
- "The Kafka-esque scenario of Indigo Don't Vote is eerily similar to Steven Spielberg's film The Terminal." SF Weekly
- "It is witty and intelligent and sports a collection of charismatic and bizarre actors." Orange Age
Description
Shelton Theater, in collaboration with Manjomang Productions, presents the debut of Indigo Don't Vote, a dark comedy directed by Matt Shelton.
Indigo Don't Vote
By Andrew Ward and Gabriel Goldstein
Directed by Matthew Shelton
Review from SF Weekly:
"The Kafka-esque scenario of Indigo Don't Vote, a dark staged comedy written by Andrew Ward and Gabriel Goldstein, is eerily similar to Steven Spielberg's film The Terminal: Each work includes a Third World country that has ceased to exist, an airplane, and an oft-repeated catchword that sums up the quirky circumstances -- The Terminal's 'unacceptable' to Indigo's 'discontinued.' The main characters in the two stories, however, react to the vanished countries in wholly different ways. One falls in love with Catherine Zeta-Jones and eats gift-shop crackers; the other, an inert loafer who 'lacks the passion to pursue anything,' is finally motivated to warn against a world that seems to be disappearing. He turns to friends, a senator, a psychiatrist, the media, and anarchists for help with the sticky problem of 'non-ness' -- and receives a predictable zilch. Written in 2002 against the backdrop of troops massing in Iraq, the play presents a new modern malaise: that of disappearing through the information gap."