The San Francisco Opera Performs Le Grand Macabre
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The last date listed for Le Grand Macabre was Thursday November 18, 2004 / 7:30pm.
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Michael Urie of Ugly Betty and Broadway fame (How to Succeed in Business Without Really Trying), stars in this award-winning comedy about a struggling actor with a very odd job. In Buyer & Cellar, Alex (Urie) works in the basement "mall" of Hollywood and Broadway mega-star Barbra Streisand's Malibu home, essentially selling her own collectibles back to her. When the diva descends downstairs, she and Alex form an unlikely -- and unstable -- friendship. Buyer & Cellar is a hilarious comedy about the cost of things and the true cost of fame. Playwright Jonathan Tolins (The Twilight of the Golds, Secrets of the Trade) reunites with Urie for this production, after working with him on the TV series Partners. Learn More
Reviews & Ratings
Quotes & Highlights
“Mr. Ligeti’s music offers an arresting mix of grating harmonies, raspy singing and modernistic bedlam, periodically interrupted by disarming stretches of ethereal orchestral ruminations and wistfully alluring lyricism. … I can’t wait.” —New York Times
The Buzz: Consider this opera an adventure. As part of Animating Opera series, Seminal Works of Modern Times, Le Grand Macabre is a unique chance to hear a symphony of car horns – and to marvel over the velvety voice of Willard White (most recently praised for his commanding portrayal of Saint Francis), who was called “first-rate” for his Nekrotzar in Salzburg.
The Spark: In 1974 Ligeti set out to write an “anti-opera” but found himself reinventing operatic traditions in his depiction of a land on the verge of an apocalypse.
The Story: Nekrotzar ascends from the graveyard in the form of the Grim Reaper and along with the drunkard and the astrologer proceeds to the court of Prince Go-Go. A series of disjointed scenes raises the question of whether they have witnessed the apocalypse or whether it has all been a great farce.
The Stage: Hailing from Copenhagen, this vibrantly colorful staging, set in a contemporary city by designer Steffen Aarfing, artfully and provocatively shows that sometimes the only way to grapple with the fear of death is by using the absurd.
The Score: Encompassing a collage of sonorities ranging from an ensemble of urban sounds to snippets of manipulated Beethoven, Rossini and Verdi, Ligeti takes listening to the next level.
Piet The Pot Graham Clark
Amando Sara Fulgoni
Amanda Anne-Sophie Duprels
Nekrotzar Willard White
Astradamors Clive Bayley*
Mescalina Susanne Resmark*
Venus/Gepopo Caroline Stein*
Prince Go-Go Gerald Thompson*
White Politician John Duykers
Black Politician Joshua Bloom
Conductor Michael Boder
Director Kasper Holten*
Production Designer Steffen Aarfing*
Lighting Designer Jesper Kongshaug*
Chorus Director Ian Robertson
Sound Designer Roger Gans
- San Francisco Opera debut
Cast, programs and schedules are subject to change
Approximate Running Time: 2 hours, 30 minutes
Sung in English with English Supertitles
Production by Royal Danish Opera
About the Ticket Supplier: San Francisco Opera
A leader among international opera companies for nine decades, San Francisco Opera was founded in 1923 by Gaetano Merola (1881–1953). Merola and his successor as general director, Kurt Herbert Adler, established a formidable institution heralded for its first-rate productions and roster of international opera stars. The landmark War Memorial Opera House has been the Company’s home since October 15, 1932.
After Adler’s tenure, the Company was led by Terence A. McEwen (1982–1988), Lotfi Mansouri (1988–2001), and Pamela Rosenberg (2001–2005). In January 2006 David Gockley became the Opera’s sixth general director after more than 30 years at the helm of Houston Grand Opera. That May, Gockley took opera to the center of the community with a free outdoor simulcast of Puccini’s Madama Butterfly. Subsequent simulcasts, including seven at AT&T Park, have collectively drawn nearly 200,000 opera fans. Created in 2007 the Koret-Taube Media Suite has enabled the Company to produce simulcasts and other projects including OperaVision (screens providing HD close-up shots for patrons in balcony seats), the Grand Opera Cinema Series in theaters and performing arts centers, an annual series of KQED telecasts, and releases of DVDs and Blu-Rays of recent performances. Regular San Francisco Opera radio broadcasts returned to national and international airwaves in 2007.
Italian conductor Nicola Luisotti, one of the opera world’s most exciting conductors, has been music director since the fall of 2009.