Ghoulish German Drama Marat/Sade: Tony-Winning Tale of Human Suffering
Brava Theater Center - Main Theater, at York Street (2781 24th Street San Francisco, CA 94110)
- Full Price:
- $20.00 - $38.00
- Our Price:
- $5.00 - $19.00*
* Additional fees apply.
All offers for Marat/Sade have expired.
The last date listed for Marat/Sade was Sunday July 29, 2012 / 7:00pm.
Currently at Brava Theater Center - Main Theater:
Burqavaganza: Provocative Political Satire by Shahid Nadeem
- Full Price:
- $17.00
- Our Price:
- $8.50
A love story set in the time of jihad, Burqavaganza is a sassy and provocative Bollywood extravaganza written by Pakistan's most prolific and progressive playwright, Shahid Nadeem. The entire cast -- male and female -- wears a burqa in this hilarious and thought-provoking theatrical critique on rising fundamentalism, political corruption and the War on Terror. Banned in Pakistan by the National Arts Council in 2010, Burqavaganza is a groundbreaking and controversial political satire that uses the burqa as a metaphor and provokes the audience to lift the veil of prejudice within all societies. Learn More
Goldstar Member Tips
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Goldstar Member on Information
Bart to 24 th st mission...15 min walk straight up 24 th st...easy.
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Available everywhere.Mostly Mexican.
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JHaletky on Information
Parking is tight, but possible in this neighborhood.
31 Goldstar Member Reviews
Written on Jul 30 2012Strange and good. Incredible costumes, exciting music, songs that have remained in my head since I heard them on WBAI in NYC in the early 70s. I would recommend the performance to the open-minded.
If they could somehow improve the quality of their enunciation, or the amplification of the dialog, that would help.
Written on Jul 30 2012They really needed to pick up the pace on this show. It was just too slow. I left at intermission.
Written on Jul 30 2012Fantastic sets, costumes, direction, and acting. Produced in the true spirit of Thrillpeddlers. The script itself was a bit disjointed (probably intentionally, but nonetheless annoyingly). But I can overlook those small details for some risk-taking, fresh theater in sf.
Written on Jul 30 2012Well done - very creative approach. Excellent production!
More Information About Marat/Sade
Quotes & Highlights
- "Let the truly adventurous eat Marat/Sade. In what may be the year's most felicitous blend of company, producer, and material, Thrillpeddlers and Marc Huestis offer an exuberant, exquisitely trashy, and note-perfect revival of Peter Weiss's radical 1963 play…” -- SF Bay Guardian
- "The 25-person ensemble isn't just a backdrop; rather, the collective is the star of the show. Each member of the cast has a fully fleshed out relationship with every other member, creating a lively society-in-miniature.” --SF Weekly
- "Written in the early 1960s, Marat/Sade remains a remarkably relevant work and retains an almost diabolical theatrical intensity that so dazzled early audiences.... and the production at Brava is an even more rare blend of artistry, dramatic connection, and showbiz pizazz wrapped up as a carefully planted sloppy wet kiss." --Bay Area Reporter
- "The acting and musical challenges of the piece are handled beautifully by the enthusiastic ensemble, and the leads are brilliant." --Theatre Storm
- "A must see" --Huffington Post
- Listen to Judy Collins' Marat/Sade, a medly of songs from the play.
Description
Marc Huestis presents Thrillpeddlers' Marat/Sade
written by Peter Weiss/directed by Russell Blackwood
The Persecution and Assassination of Jean Paul Marat as performed by the Inmates of the Asylyum of Charenton under the direction of the Marquis de Sade by Peter Weiss.
Almost fifty years ago, when Peter Weiss' Tony- winning play and theatrical event premiered, voiced demanded change. Today with Occupy movement, once again the street are alive with youth questioning authority. Marat/Sade captures the politics of these exciting moments by harkening back to another tumultuous period--The French Revolution. The dialectics of personal and political change are seen through the eyes of its two protagonists: the infamous Marquis de Sade, after whom sadism is named, and a proponent of pleasure; and Jean-Paul Marat, the clarion voice of the people--now awaiting assassination in his bathtub at the hands of counter revoluntionary Charlotte Corday. With its bloody depiction of class struggle and human suffering, hope and disillusionment, Marat/Sade is a slyly humorous feast for the mind and eye and once again outrageously relevant.
