May 19 Program:

RACHMANINOFF: Prelude in C Major, Op. 32/1
RACHMANINOFF: Prelude in A-flat Major, Op. 23/8
RACHMANINOFF: Prelude in C-sharp Minor, Op. 3/2
RACHMANINOFF: Etude Tableaux in E-flat Major, Op. 39/5
SCRIABIN: Sonata No. 2 in G-sharp Minor
SCRIABIN: Etude in C-sharp Minor, Op. 2/1
SCRIABIN: Etude in F-sharp Minor, Op.8/2
SCRIABIN: Etude in D-flat Major, Op. 8/10
SCRIABIN: Etude in D-sharp Minor, Op. 8/12
RACHMANINOFF: Corelli Variations, Op. 42
SCRIABIN: Poeme Op.32/1
SCRIABIN: Etude in D-flat Major, Op. 42/1
SCRIABIN: Etude in F-sharp Minor, Op.42/2
SCRIABIN: Sonata No. 5

May 20 Program:

PROKOFIEV: Sonata No. 2 in D minor, Op. 14
PROKOFIEV: Paysage, Op. 59/2
PROKOFIEV: Sonatine Pastorale, Op. 59/3
PROKOFIEV: Suggestions diaboliques, Op. 4/4
SCRIABIN: Poems, Op. 63 (Masque, Etrangete)
SCRIABIN: Preludes, Op. 74 (#1-5)
SCRIABIN: Sonata No. 10
SCRIABIN: Three Etudes, Op. 65

Alexander Scriabin, Sergei Rachmaninoff and Sergei Prokofiev together constitute an extraordinary triumvirate of composers, one that traces a stylistic range from nineteenth century Russian Romanticism through the percussive energy and idiosyncratic compositional spirit of the twentieth century.

Garrick Ohlsson, the foremost interpreter of Romantic repertoire of our day, is ideally suited to the demands of this fascinating and captivating group. With Robert Greenberg as guide, and with Ohlsson’s interpretations as the musical touchstone, these two evenings of discussion and performance will illuminate the piano music of the three great turn-of-the twentieth century Russian composer-pianists: the mystic, the Romantic and the modernist—namely Scriabin, Rachmaninoff and Prokofiev.

Garrick Ohlsson
Since his triumph as winner of the 1970 Chopin International Piano Competition, pianist Garrick Ohlsson has established himself worldwide as a musician of magisterial interpretive and technical prowess. Although he has long been regarded as one of the world’s leading exponents of the music of Frédéric Chopin, Mr. Ohlsson commands an enormous repertoire, which ranges over the entire piano literature. A student of the late Claudio Arrau, Mr. Ohlsson has come to be noted for his masterly performances of the works of Mozart, Beethoven and Schubert, as well as the Romantic repertoire. His concerto repertoire alone is unusually wide and eclectic – ranging from Haydn and Mozart to works of the 21st century – and to date he has at his command some 80 concertos.

In 2006-07, Mr. Ohlsson will open the Mostly Mozart Festival in New York in a live, nationally televised performance. He will also appear in North America and Canada with the symphony orchestras of Atlanta, Detroit, Milwaukee, Montreal, New Jersey, Oregon, Pittsburgh, San Diego, and Utah. A series of recitals in Anchorage, Boston, Cleveland, Florida, Los Angeles, Ottawa, and San Francisco will culminate in three recitals of Beethoven sonatas at Lincoln Center (New York), and a performance of Beethoven’s “Emperor” concerto at Carnegie Hall with Orchestra of St. Luke’s. In Europe, he will perform at the BBC Proms with Budapest Festival Orchestra, at the Warsaw Chopin Festival, with the Czech Philharmonic, with the BBC Philharmonic, and in recital in Spain and Italy.

In the 2005–06 season, Mr. Ohlsson performed in North America with the symphony orchestras of Baltimore, Berkeley, Cincinnati, Cleveland, Houston, Indianapolis, Los Angeles, Philadelphia, Pittsburgh, Seattle, St. Louis, and Washington, D.C.; and the National Arts Centre, St. Paul Chamber, and the London Philharmonic at Lincoln Center. Special projects included a tour with the Takács Quartet and appearances at the Bonn Beethovenfest, Germany. In the summer of 2006, he will present the complete cycle of Beethoven piano sonatas in both the Ravinia and Tanglewood festivals, a cycle he performed for the first time in the summer of 2005 at Switzerland’s prestigious Verbier Festival.

Mr. Ohlsson is an avid chamber musician and has collaborated with the Cleveland, Emerson, Takács and Tokyo string quartets, among other ensembles. Together with violinist Jorja Fleezanis and cellist Michael Grebanier, he is a founding member of the San Francisco-based FOG Trio.

A prolific recording artist, Mr. Ohlsson can be heard on the Arabesque, RCA Victor Red Seal, Angel, Bridge, BMG, Delos, Hänssler, Nonesuch, Telarc and Virgin Classics labels. For Arabesque he has recorded the complete solo works of Chopin and four volumes of Beethoven sonatas.

A native of White Plains, N.Y., Mr. Ohlsson began his piano studies at the age of 8. He attended the Westchester Conservatory of Music and at 13 entered The Juilliard School in New York City. His musical development has been influenced in completely different ways by a succession of distinguished teachers, most notably Claudio Arrau, Olga Barabini, Tom Lishman, Sascha Gorodnitzki, Rosina Lhévinne and Irma Wolpe. Although he won First Prizes at the 1966 Busoni Competition in Italy and 1968 Montréal Piano Competition, it was his 1970 triumph at the Chopin Competition in Warsaw, where he won the Gold Medal, that brought him worldwide recognition as one of the finest pianists of his generation. Since then he has made nearly a dozen tours of Poland, where he retains immense personal popularity. Mr. Ohlsson was awarded the Avery Fisher Prize in 1994 and received the 1998 University Musical Society Distinguished Artist Award in Ann Arbor, Mich. He makes his home in San Francisco.

Robert Greenberg
Robert Greenberg earned his B.A. in music from Princeton University. He received his M.A. and Ph.D. in composition from the University of California at Berkeley, where he studied with Andrew Imbrie, Olly Wilson, and Richard Felciano. His works have been performed throughout the U.S. and Europe, and his commissions include a Koussevitsky Foundation/Library of Congress grant, as well as works for the Alexander String Quartet, the Dancers' Stage Ballet Company, the XTET ensemble, and others.

Greenberg has taught at California State University at Hayward and the University of California at Berkeley, where he received the Distinguished Teaching Assistant Award in 1983. He also received three Nicola de Lorenzo Prizes in composition and Meet-the-Composer Grants in 1988, 1991, and 1994. He is co-creator and lecturer for the San Francisco Symphony's Discovery Series and is a co-director and member of the artistic board of Composers, Inc. His music is published by Fallen Leaf Press and CPP/Belwin, and is recorded on the Innova label. Greenberg has lectured on musical topics throughout North America and Europe, and is regular music contributor to NPR "Weekend All Things Considered." His audiotaped and videotaped music courses, made in conjunction with the Teaching Company of Springfield, Virginia, have garnered international praise.