San Francisco Symphony: my classic Four Seasons
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The last date listed for San Francisco Symphony: my classic Four Seasons was Thursday July 28, 2011 / 8:00pm (Pre-Concert Reception at 7:00pm).
Currently at Davies Symphony Hall:
- Full Price:
- $30.00 - $36.25
- Our Price:
- $15.50 - $18.75
Davies Symphony Hall is an appropriately majestic backdrop for the San Francisco Choral Society's performance of Brahms' monumental A German Requiem. Working from a German-language Bible -- rather than the Latin Catholic liturgy -- Brahms focused his elegiac composition on the transience of life, rather than the finality of death. In doing so, he transformed a potentially conventional piece of church music into what would later become the second most performed choral work after Handel's Messiah. Now soloists Marnie Breckenridge (soprano) and Eugene Brancoveanu (bass) and the California Chamber Symphony will join SF Choral in bringing this masterful Requiem back to life. Learn More
The weather was a perfect no coat evening in SF.. I wore slacks & a button up shirt..Hello Gorgeous! -- Cheyenne Jackson Goes to the Movies dress • Jul 25 2014 star this tip starred
Reviews & Ratings
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This was an absolutely wonderful evening from beginning to end. The tango orchestra in the lobby was excellent and many couples danced with great style and pleasure. The symphony program was so well planned and played, and the combination of...continued
Quotes & Highlights
A pre-concert reception features a special tango demonstration and dancing, plus food and drinks for sale. Reception begins an hour before the concert, and continues during intermission.
Michael Francis, conductor
Lara St. John, violin
San Francisco Symphony
Handel: _Music for the Royal Fireworks _
Vivaldi: _The Four Seasons _
Piazzolla: _The Four Seasons of Buenos Aires _
If Vivaldi’s Four Seasons is crystalline grace and sparkling sophistication, Piazzolla’s version is streetwise verve and tangy in color. Each of Vivaldi’s four concertos for violin and chamber orchestra — performed here by the dynamic Lara St. John — recalls the character of its appointed season through evocative composition, and is one of the best loved of all Baroque works. In contrast, Tango master Astor Piazzolla’s pieces were never meant to be performed together. Yet as a group, and performed interleaved with Vivaldi’s four movements, listeners are treated to a captivating expression of the cycles of life.