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San Francisco Symphony Plays Tchaikovsky's Piano Concerto No. 1

Davies Symphony Hall (201 Van Ness San Francisco, CA 94102)
Antti-siirala-100509
Full Price:
$40.00 - $87.00
Our Price:
$20.00 - $43.50*
4.6 by 18 members
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The San Francisco Symphony presents a performance of Tchaikovsky's legendary Piano Concerto No. 1, with pianist Antti Siirala. The evening also includes Dvorák's thrilling Seventh Symphony, as well as modern master John Adams' Slonimsky's Earbox. Osmo Vänskä conducts.

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All offers for San Francisco Symphony: Tchaikovsky's Piano Concerto No. 1 have expired.

The last date listed for San Francisco Symphony: Tchaikovsky's Piano Concerto No. 1 was Saturday October 24, 2009 / 8:00pm.

Currently at Davies Symphony Hall:

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Full Price:
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201 Van Ness
San Francisco, CA 94102
415-864-6000
Davies-venue

Goldstar Member Tips

  • on What to Wear
    I think it is always nice to dress up for the symphony
  • on Where to Eat
    Some light food available, also beverages. Not great, but still O.K.
  • on What to Wear
    We dressed up - I think it is appropriate.
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Goldstar Member Reviews

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A varied program with the full S.F. Symphony conducted by Osmo Vanska, conductor of the Minneapolis Symphony Orchestra. The first piece, Slonimsky's Earbox, by John Adams, was truly a thrill for the ears and mind. Wonderfully energetic and melodic, yet still with Adams' repetitive refrains.It was really good to hear The Tchaikovsky Piano Concerto No.1 played LIVE, since one usually hears recordings of this composition. Since I sat in the Second tier, the players seemed rather far away, but the music soars up to that elevation so beautifully. A very good evening at a very fair price.
Written on Oct 23 2009

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First of all Vänskä, the conductor, was worth the price of admission.

Due to where I was seated (second row, front orchestra) there was surely some penalty with respect to total sound quality. But my view and connection Vänskä was up close and personal. What a sensory experience.


Vänskä’s has a very robotic conducting style, for sure. Michael Jackson’s “Thriller” video crossed my mine on a couple of occasions during the concert. But what athleticism! What precision! The man has an amazing vertical leap with catlike reflexes. But at the same time I rarely heard him like , for example, I heard the stomps and pounds of Gustavo Dudamel last year or in recordings of Ken-Ichiro Kobayashi. More importantly Vänskä uses his athleticism to move, power and control the orchestra. After, watching Vänskä in person I believe I have a greater insight to his conducting of his Beethoven 9th that I own and will be better able to appreciate the entire Beethoven symphony set(I was just notified by MDT that it was “dispatched” to me).

Your assessment of the performances nailed it. I could not agree with you more, including your comments on the Piano concerto. I found much of Sirala’s performance of the Concerto competent, but flat and uneven (although I am not sure who was at fault). Rest assure I was not compelled to stand for the applause. I noticed that the standing applause which grew to about two-thirds of the audience, was not spontaneous but grew after return visits to the stage by Sirala. It was somewhat amusing to watch some guests in front of me conferring with each other on whether they should stand or not before deciding (3 out of 4) to fall in line. But the performance fell fall far short of a Andre Watts performance I attended years ago or more recent performances I have heard. While it may be an apples and oranges comparison I found the the Rachmaninov Piano Concerto #2 performance I heard last week with a third tier orchestra (no disrespect intended as they did a very good job, but with at least some volunteer musicians) was done with indomitable energy.

I was, nonetheless, still able to admire and enjoy the Tchaikovsky composition, even if I was lukewarm on the performance. This was helped in good part by the pre ceremony lecture. For example, the number of “cadenzas” or passages, large and small, in which the piano is completely unaccompanied by orchestra is striking. There are at least a half dozen of these cadenzas, which I specifically looked for. There is much technical brilliance to be displayed….given the right pianist.

I, too, thoroughly enjoyed the John Adams and was pleased that he was on hand for the performance. The lower strings (viola, cellos and basses) were especially stunning from my vantage point.

For me (and certainly for those who I commuted with on BART), the crown jewel of the evening was the Dvorak Symphony No. 7. Wasn't that *amaaaaazing*? For that I did provide a most unprompted standing applause.

I “prepped” before the concert by listening to the 1958 RCA Cliburn/Kondrashin Tchaikovsky's Piano Concerto No. 1 and to the Szell's 7th.

I have multiple CD and LP versions of these works that I am satisfied with. Anyone have more recent recommendations of these works?

Robert C. Lang


Written on Oct 23 2009

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beautiful playing
Written on Oct 23 2009

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Seats were great - and overall loved the concert but hated the first number by Adams. The pianist was outstanding as was the conductor. My favorite was the Tchaikovsky's Piano Concerto No. 1. Dvorak piece was nice too.
Written on Oct 26 2009

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More Information About San Francisco Symphony: Tchaikovsky's Piano Concerto No. 1

Description

Osmo Vänskä, conductor
Antti Siirala, piano

John Adams: Slonimsky's Earbox
Tchaikovsky: Piano Concerto No. 1
Dvorak: Symphony No. 7

The music of living legend John Adams begins an evening of affecting and thrilling masterpieces. Antti Siirala plays Tchaikovsky's Piano Concerto, one of the most famous concertos in all of music. Dvoøák's breathtaking Seventh Symphony rounds out a program that is sure to move you.


About the Ticket Supplier: San Francisco Symphony

The San Francisco Symphony and Michael Tilson Thomas present more than 220 concerts each year from September through July in a variety of genres, with SFS musicians performing classical concerts, holiday favorites, summer pops events, free outdoor concerts, special series for families and children, plus presentations of visiting guest artists and orchestras from around the globe. The San Francisco Symphony also takes its unique style to audiences world-wide, touring nationally and internationally every year. The SFS is currently recording all the Mahler symphonies on its own media label and has recently launched Keeping Score, a national, multi-year, multi-media project bringing classical music to millions of Americans via TV, radio, the Internet and more.