Shirley Jones: An Evening of Story & Song at the Rrazz Room
Rrazz Room @ Hotel Nikko (222 Mason Street San Francisco, CA 94102)
- Full Price:
- $45.00 - $50.00
- Our Price:
- $22.50 - $25.00*
* Additional fees apply.
All offers for Shirley Jones have expired.
The last date listed for Shirley Jones was Sunday October 28, 2012 / 5:00pm.
Most Popular Performing Arts Event Nearby:
Cirque Shanghai Returns to Navy Pier With Dragon's Thunder
- Full Price:
- $31.25
- Our Price:
- $16.50
With the largest cast ever to visit the United States, Cirque Shanghai returns in triumph to Chicago with Cirque Shanghai: Dragon's Thunder, its latest and most dazzling show. Watch some of the finest acrobats in the world leap, tumble and juggle with a flexibility and precision that borders on the unbelievable. The outright daring of acts like "The Chinese Flex Bar" and "Gravity Swings" will take your breath away, while the thunderous beat of the "Dragon Drums" will stir your soul. Back from last year's show are fan-favorite features like the "Wheel of Destiny" as well as Imperial Thunder, China's finest daredevil motorcycle troupe. Be amazed, amused and ultimately enchanted by human skill pushed to the limits and beyond in Cirque Shanghai: Dragon's Thunder. Learn More
Goldstar Member Tips
We dressed up - but not mandatory - just the way we go.info • Feb 23 2013 star this tip starred
Found parking on the street. We have good parking karma.info • Feb 23 2013 star this tip starred
I would recommend arriving early to assure the best seating.info • Feb 23 2013 star this tip starred
After 6pm meter parking is free, find a local restaurant and dine before the show.info • Feb 23 2013 star this tip starred
Seating is decided by the staff, you can arrive last and still get a good seat.info • Feb 23 2013 star this tip starred
Reviews & Ratings
Featured review from Joel
view more less of this reviewThis show is intended for DEAF PEOPLE! It's way overmiked. Turn down the volume, and let's hear Shirley sing, please. We sat 15 feet from the stage, but at times, it felt like a KISS concert. The band's too loud. Shirley's too loud. Overamplification magnifies small imperfections in her singing. The "sounds like she's singing in a cave" echo effect (used occaionally) makes it ... sound like she's singing in a cave ... that got turned into a cheesy nightclub. Too much volume ruins the intimacy of a great space.
But Shirley Jones is great! She's a Broadway, movie musical and TV legend who's still got it going on. Her likability makes the show. At nearly 79, she doesn't belt out the high notes like she used to, but she has moments of gentle vibrato that are simply beautiful. An enjoyable night, for sure!
star this review starred report as inappropriateShirley looked and sounded great. She sang songs from Broadway shows, some she'd been in and some she hadn't as well as songs from her movies. She also did a couple of bars from the Partridge Family and then said that was all the Partridge Family music we'd hear. She lets David Cassidy cover those songs. What a lovely person.
star this review starred report as inappropriateThis show lacked any of the intimacy that makes Cabaret such a unique experience. This was a PBS pledge break with the volume turned up too high
star this review starred report as inappropriateSHIRLEY JONES LOOKED FANTASTIC & HER SINGING WAS FLAWLESS.
THE ONLY DISAPPOINTMENT WAS THAT SHE DID NOT APPEAR IN THE LOBBY AFTER THE SHOW FOR PICTURE-TAKING MOMENTS.
JIM JOHNSON
SAN FRANCISCO
More Information About Shirley Jones
Website
Description
The Shirley Jones success story could not have been more perfect if it were concocted by a studio press agent. Born in tiny Smithton, Pa. (pop. 877), only daughter of the Jones Family (brewers of popular “Stoney’s Beer”) the feisty and precocious Shirley Mae was an early community handful, but showed signs of a particularly mellow vocal range, and that was the beginning. Her church, her teachers, and her parents were all savvy enough to see the way, and Shirley’s local music lessons opened the door to summers at the Pittsburgh Playhouse; and the Shirley Jones Story was underway.
Someone suggested that 18-year-old Shirley Mae sign up for the “Miss Pittsburgh” competition. It was not Shirley’s #1 passion, but she went along, and took the crown. It was 1952.
Here, we can say, the plot thickens some, because through all this conspicuous show business calling, Shirley Jones alerts the world around her that she has decided to be a veterinarian. And so, with all other bets off, she is enrolled in New Jersey Centenary College and prepares for the journey east ... with a one-week vacation stopover in New Your (cue trumpets -- Providence was back at work).
With her week (and her money) spent, she gets a call from a friend who tells her that the Rodgers & Hammerstein show South Pacific, currently on Broadway, will be having open auditions to replace two parting chorus members. And Shirley takes that fateful bus ride downtown to the St. James Theater and the line of umpteen showbiz hopefuls, where the stage has been meticulously set to deliver Smithton’s Shirley Mae Jones not to a veterinary college but to the “Time and Place” of her remarkable million-to-one public destiny. Shirley got to the front of the line and sang her song, “The Best Things in Life are Free.” “Please wait”, the man said – and another line and another trip out front to sing. Finally, almost exhausted, the line whittled down to a handful, a fourth performance, and a voice from the back of the darkened theater –“Thank you Miss Jones, for being here so long. If you don’t mind, I’d like to call my partner, Mr. Hammerstein, and ask that he come down and hear you.” “Oh, sure,” the always gracious Shirley says, “And what is YOUR name?” (Words that Mr. Richard Rodgers will never forget, we daresay).
And the rest, as they say ...
Mr. Hammerstein arrived and the Shirley Jones whirlwind began. Put under immediate “personal management” contract to the Rodgers & Hammerstein partners (first and last time ever) it was not fully a year later that 19-year-old Shirley Mae Jones was screen–testing in Hollywood for the super-coveted role of Laurey in the film version of the long-running Broadway play Oklahoma (along with the heavyweight likes of Kathryn Grayson, Debbie Reynolds and Jane Powell). We all KNOW what happened then ... and we all probably know what happened after that. From Carousel, The Music Man, April Love, an Oscar for her role as Lulu Baines (the prostitute opposite Burt Lancaster in Elmer Gantry), to the harried head of The Partridge Family; movie, television and stage roles, a record breaking Broadway run, two recent Emmy nominations, and an ongoing career of SRO Symphony Concerts and speaking engagements worldwide; to be sure an incandescent place in the hearts of all America that doesn't ever seem to go away.
And so ... we suppose, the only question left in the Glorious Shirley Jones American Icon Story is -- Did anybody ever call Centenary College to tell them Shirley wasn't coming?
