Shirley Jones: An Evening of Story & Song at the Rrazz Room
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The last date listed for Shirley Jones was Sunday October 28, 2012 / 5:00pm.
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Smuin Ballet breaks the boundaries of traditional dance with this evening of vibrant, innovative works from some of the Bay Area's most exciting choreographers. Choreographer Garrett Ammon unleashes his own take on Tchaikovsky's iconic score in Serenade for Strings, using movement to reflect the composition's intensity and precision. In Objects of Curiosity, Smuin's choregrapher-in-residence Amy Seiwert explores the tensions between desire and restraint, pairing them with a delicate score by Philip Glass and Foday Musa Suso that mirrors her study on stage. The evening concludes with Frankie and Johnny, Michael Smuin's passionate tribute to the legendary Gene Kelly, danced to a soundtrack of some of the biggest names in Latin and mambo music. Learn More
Reviews & Ratings
Featured review from Rodney A.Red Velvet
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Shirley looked and sounded great. She sang songs from Broadway shows, some she'd been in and some she hadn't as well as songs from her movies. She also did a couple of bars from the Partridge Family and then said that was all the Partridge Family music we'd hear. She lets David Cassidy cover those songs. What a lovely person.
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This show is intended for DEAF PEOPLE! It's way overmiked. Turn down the volume, and let's hear Shirley sing, please. We sat 15 feet from the stage, but at times, it felt like a KISS concert. The band's too loud. Shirley's too loud. ...continued
The Shirley Jones success story could not have been more perfect if it were concocted by a studio press agent. Born in tiny Smithton, Pa. (pop. 877), only daughter of the Jones Family (brewers of popular “Stoney’s Beer”) the feisty and precocious Shirley Mae was an early community handful, but showed signs of a particularly mellow vocal range, and that was the beginning. Her church, her teachers, and her parents were all savvy enough to see the way, and Shirley’s local music lessons opened the door to summers at the Pittsburgh Playhouse; and the Shirley Jones Story was underway.
Someone suggested that 18-year-old Shirley Mae sign up for the “Miss Pittsburgh” competition. It was not Shirley’s #1 passion, but she went along, and took the crown. It was 1952.
Here, we can say, the plot thickens some, because through all this conspicuous show business calling, Shirley Jones alerts the world around her that she has decided to be a veterinarian. And so, with all other bets off, she is enrolled in New Jersey Centenary College and prepares for the journey east … with a one-week vacation stopover in New Your (cue trumpets — Providence was back at work).
With her week (and her money) spent, she gets a call from a friend who tells her that the Rodgers & Hammerstein show South Pacific, currently on Broadway, will be having open auditions to replace two parting chorus members. And Shirley takes that fateful bus ride downtown to the St. James Theater and the line of umpteen showbiz hopefuls, where the stage has been meticulously set to deliver Smithton’s Shirley Mae Jones not to a veterinary college but to the “Time and Place” of her remarkable million-to-one public destiny. Shirley got to the front of the line and sang her song, “The Best Things in Life are Free.” “Please wait”, the man said – and another line and another trip out front to sing. Finally, almost exhausted, the line whittled down to a handful, a fourth performance, and a voice from the back of the darkened theater –“Thank you Miss Jones, for being here so long. If you don’t mind, I’d like to call my partner, Mr. Hammerstein, and ask that he come down and hear you.” “Oh, sure,” the always gracious Shirley says, “And what is YOUR name?” (Words that Mr. Richard Rodgers will never forget, we daresay).
And the rest, as they say …
Mr. Hammerstein arrived and the Shirley Jones whirlwind began. Put under immediate “personal management” contract to the Rodgers & Hammerstein partners (first and last time ever) it was not fully a year later that 19-year-old Shirley Mae Jones was screen–testing in Hollywood for the super-coveted role of Laurey in the film version of the long-running Broadway play Oklahoma (along with the heavyweight likes of Kathryn Grayson, Debbie Reynolds and Jane Powell). We all KNOW what happened then … and we all probably know what happened after that. From Carousel, The Music Man, April Love, an Oscar for her role as Lulu Baines (the prostitute opposite Burt Lancaster in Elmer Gantry), to the harried head of The Partridge Family; movie, television and stage roles, a record breaking Broadway run, two recent Emmy nominations, and an ongoing career of SRO Symphony Concerts and speaking engagements worldwide; to be sure an incandescent place in the hearts of all America that doesn’t ever seem to go away.
And so … we suppose, the only question left in the Glorious Shirley Jones American Icon Story is — Did anybody ever call Centenary College to tell them Shirley wasn’t coming?