Sinatra/Basie Revisited: Kurt Elling with the Count Basie Orchestra
* Additional fees apply.
All offers for Sinatra/Basie Revisited: Kurt Elling with the Count Basie Orchestra have expired.
The last date listed for Sinatra/Basie Revisited: Kurt Elling with the Count Basie Orchestra was Sunday May 30, 2010 / 7:00pm.
Currently at Davies Symphony Hall:
- Full Price:
- $55.00 - $75.00
- Our Price:
- $38.50 - $60.00
In a surreal twist, one of Japan's biggest rock stars also happens to be one of that country's most revered classical composers. His name is Yoshiki and the breadth of his musical accomplishment astonishes. The same man who, as the leader of the heavy metal band X Japan, sold out the 55,000-seat Tokyo Dome 18 times was selected by the Japanese government to write a classical composition celebrating Emperor Akihito. Commissioned to write themes for events as diverse as the 2012 Grammys and the World Expo, he has now released a solo album of original instrumental works, Yoshiki Classical, to global acclaim. For one night only, he will perform captivating melodies from his new album live at Davies Symphony Hall, playing solo piano with string quartet accompaniment. Learn More
Reviews & Ratings
Featured review from Fizzydrink
view more less of this review
I loved, Loved, LOVED the Count Basie Orchestra! Wow! They were simply magnificent. They get the 3 stars!
Kurt Elling -- Was he drunk? He was definitely full of himself, but wondering what else he might have been full of as well - it wasn't personality that's for sure. He didn't know the words to a couple songs, so much so that at one point he was singing while looking down and flipping through papers.
He just didn't seem to want to even be there. And when he did, it felt as if his attitude was like "Ah, you all should be grateful you're in my Grammy-award winning presence".
Complete and utter disappointment was Kurt Elling. And I was so looking forward to seeing him.
Note: Being in the second tier for a vocal performance @ Davies is not the best b/c you can't really hear what people say on the stage if they are low-talkers - even talking into the mic.
star this review starred report as inappropriate
Good but not great. The Basie Band played the whole first hour. I thought it was too much. Kurt has a very nice voice but I wanted a little more punch in his delivery. But he is not Sinatra and with that in mind, he does a nice job.
Widely hailed as the greatest jazz vocalist of his generation, Kurt Elling has just won a 2010 Grammy Award for Best Vocal Jazz Album. At SFJAZZ, he teams up with the Count Basie Orchestra to celebrate the music that the famed big band crafted with Frank Sinatra in the early ‘60s. Sinatra possessed the grace and skill to navigate charts that blew most vocalists out of the water. The Basie band’s streamlined sense of swing fit Sinatra so perfectly that he described the sensation of performing with them as akin to just leaning back and riding the crest of a wave. Elling, an educator and scholar as well as an entertainer, has every bit of Sinatra’s firepower and will no doubt do some surfing of his own in this once-in-a-lifetime matchup, which will employ the original charts Quincy Jones arranged for the Basie/Sinatra collaboration. And expect the Basie Orchestra to open up the night with some of their best classic repertoire.
About the Ticket Supplier: SFJAZZSFJAZZ presents a wealth of year-round programs, including the internationally acclaimed San Francisco Jazz Festival, the SFJAZZ Spring Season and numerous community outreach and education programs.
Founded in 1983 under the name of Jazz in the City, the organization adopted its new identity as SFJAZZ in late 1999, in recognition of its expansion from seasonal music presenter to year-round arts institution.
All SFJAZZ programs reflect a spirit of artistic exploration, embracing the full breadth of jazz and its related musics; emphasize thematic programming, with tributes to jazz masters and celebrations of particular musical instruments, trends or styles; and strive to instill enthusiasm for jazz among wider audiences.