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The Caucasian Chalk Circle, a New Vision of Bertolt Brecht's Masterpiece

A.C.T., Near the corner of Geary and Mason (415 Geary St. San Francisco, CA 94102)
Caucasiancircle-021610
Full Price:
$13.00 - $82.00
Our Price:
$7.50 - $42.00*
3.2 by 20 members
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Featuring Tony Award-winning director John Doyle's signature theatricality and original music from acclaimed avant-garde composer Nathaniel Stookey (The Composer Is Dead, Junkestra), this stunning production finds an intrepid company of actors creating the play from the rubble of a war-torn society. Objects turn into set pieces, discarded articles of clothing become costumes, and shrapnel is transformed into musical instruments.

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All offers for The Caucasian Chalk Circle have expired.

The last date listed for The Caucasian Chalk Circle was Sunday March 14, 2010 / 2:00pm.

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Full Price:
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Our Price:
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American Conservatory Theater performs a double bill of two outstanding plays from master playwright Samuel Beckett. Endgame and Play are a pair of absurd dark comedies that conjure a fiercely funny and emotionally gripping world. In Endgame, Tony Award winner Bill Irwin takes on the role of Hamm, who is trapped between life and death with his young servant, Clov. Together they engage in a chess match of wits in this vivid exploration of the end of life. This iconic work will be presented together with Beckett's rarely performed one-act Play, a brief comic tour de force about marriage and infidelity, featuring members of A.C.T.'s core acting company. Learn More

Near the corner of Geary and Mason,
415 Geary St.
San Francisco, CA 94102
415-749-2ACT
27165930actt01

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    Great parking at O'Farrell & Mason
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13 Goldstar Member Reviews

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Rating_2_0
John Doyle has created a mess of a production. It is played for comedy and not in a clever way. He seems to have taken the view that audiences are unintelligent and have a very limited attention span. Many of the people sitting around me left after the 1st act. I stayed to be beaten over the head by the director’s penchant for breaking the 4th wall. The singing and especially the guitar playing was terrible. I kept having visions of John Belushi in Animal House grabbing the guitar from Stephen Bishop and smashing it to bits. The coup de grace was the chain link fence that kept going up and down at the front of the stage.
Written on Feb 19 2010

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I had high hopes for this play, after seeing Sweeney Todd, and knowing that this is one of the most famous plays by Brecht. What a disappointment. I understand that the contemporary/ minimalist take was intentional, it was not what I expected, in a negative way I have to say. The whole performance felt like a dress rehearsal, no, not even a dress rehearsal. More like one of the regular rehearsals in which the actors dress in street clothes, use whatever handy as props, and still searching for ways to deliver their lines. The acting is just not emotionally (if there's any) convincing. So I sat through almost two hours watching the actors play with pillows and megaphones, hoping for, at least, a good finish on the namesake climax. Come on people, the play is called Chalk Circle, at least do the namesake a little bit of justice! Ugh no, such a letdown, such a letdown on such high-school quality delivery. This one definitely ranked as the worst I have ever seen at ACT. Definitely make me think twice whether or not to continue to see their plays.
Written on Feb 22 2010

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Very bad production. Nothing to do with Brecht's message
Written on Feb 22 2010

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I was surprised and delighted to see such a daring production at ACT. From the first, the visual images created by the set were striking and thought-provoking, and the actors' excellent performances were exactly in line with this vision. The singing and instrument-playing were certainly unpolished, but I found this to be appropriate to the wartime scenario, and the feeling of scrabbling together a performance with the materials at hand. Overall, I found it to be a very cohesive and excellently realized production, and quite compelling to watch.

As others have said, it's not a production for everyone, but for those desiring something out of the ordinary, I highly recommend it.
Written on Feb 22 2010

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All 13 Reviews

More Information About The Caucasian Chalk Circle

Website

http://www.act-sf.org/0910/caucasianchalkcircle/index.html

Quotes & Highlights

  • "John Doyle is ferociously inventive." --New York Times

Description

The Caucasian Chalk Circle
by Bertolt Brecht
Translated by Domenique Lozano
Directed and designed by John Doyle
Original music by Nathaniel Stookey

Visionary director John Doyle (Sweeney Todd, Company on Broadway) returns to A.C.T. to stage a spectacular new interpretation of Brecht's masterpiece of hope, humanity, and justice. Featuring Doyle's signature theatricality and original music from acclaimed avant-garde composer Nathaniel Stookey (The Composer Is Dead, Junkestra), this must-see production finds an intrepid company of actors creating the play from the rubble of a war-torn society. Objects turn into set pieces, discarded articles of clothing become costumes, and shrapnel is transformed into musical instruments. In this brand-new translation, The Caucasian Chalk Circle soars with humor, romance, unexpected plot twists, and high-stakes intensity.