Wanton Darkness: a Double Feature from Second Wind Productions
Phoenix Theatre Annex (414 Mason Street San Francisco, CA 94102)
- Full Price:
- $20.00 - $28.00
- Our Price:
- FREE - $14.00*
* Additional fees apply.
All offers for Wanton Darkness have expired.
The last date listed for Wanton Darkness was Saturday May 8, 2010 / 8:00pm.
Goldstar Member Tips
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bwkbwk on What to Wear
Casual
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bwkbwk on Where to Eat
Good, inexpensive choices, including wine and cookies. Even Irish whiskey!
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J on Where to Park
Bart and walk
11 Goldstar Member Reviews
Goldstar Member
This was actually two short plays, Ashes to Ashes by Pinter and St. Nicholas by Conor McPherson. Both are really interesting works with high points and less than high points.Written on Apr 17 2010
Ashes to Ashes showcased two very capable actors. Their styles were both strong but didn't seem to mesh. The set and stage direction really took away from the performances. They actors were forced to endlessly walk back and forth which proved to be distracting and unnecessarily broke the tension. A view of the twin towers is projected in the back window which makes settling on a location for the interaction even more difficult than the choice to have one American and one British accent. Lisa-Marie Newton at Rebecca has the more difficult part. She artfully restrained her performance in a part that could have easily gone over the top in less capable hands. Lol Levy was the quintessential Pinter male. You could tell from his performance that he relished the part.
St. Nicholas is a one man show. As with most works by McPherson it is very Irish. Fred Sharkey was very good but not Irish enough in spirit to be great but it is well worth seeing. There were two moments when the actor actively engaged the audience which detracted from the spell that Sharkey had cast.
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Excellent acting on both plays, and the second play was performed in its entirety by one person. Wow!Written on Apr 19 2010
Unfortunately, both plays kind of plodded along, especially the second one. The plays were just good enough to hold my attention, but not good enough to hold me on the edge of my seat.
This is not the fault of the actors, who were superb. The stories themselves just weren't that great.
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Hmm, this contained two plays so it is hard to give it an "overall" rating. I could not really get into the first play. I got the point of it all yet it really did not thrill me. It seemed choppy with a stoic delivery. Luckily, it was short.Written on Apr 20 2010
I enjoyed the second play more. I found the actor to be engaging and charming. I could visualize everything he was conveying. I liked the first half better than the second half of his performance. Also, the "transition" to the intermission was odd and some people were confused. I thought he had excellent eye contact that pulled you in. Going into the audience made it more interesting although I bet it made the people he sat next to uncomfortable.
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Lions M
Thoroughly enjoyed this challenging production. The first piece, an hour-long Pinter play, was well acted. The story of a failing marriage (with its own secrets) was brooding and moody. The follow-up, a one-man was more energetic. The actor was charismatic, and the story not what I expected. I appreciated the reasonably priced drinks and courteous staff as well.Written on Apr 24 2010
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Member Photos
More Information About Wanton Darkness
Website
http://www.secondwind.8m.com/wantondarkness.html
Quotes & Highlights
- On Ashes to Ashes: "Playful and ominous" --Australian Stage
- On St. Nicholas: “Story-telling as striptease" --The New York Times
Description
In Ashes, Devlin, an academic type, is trying to get to the bottom of his wife’s possible infidelity. Her lover—past? present?—is a violent, powerful man who’s hold on Rebecca goes deep into her psyche. So deep that it connects with a shared memory of the Holocaust. As Devlin drills down into Rebecca’s memory, struggling to separate illusion from reality, he begins to become the monster she fell in love with.
The vitriolic theatre critic of St. Nicholas has made a career out of destroying others—that is until a seductive actress draws the critic out of the hell of his own creation and into the familiar hell of unattainable infatuation. When the cast of Salome drops in for a drink at the pub, he suddenly finds himself lying about the scathing review he’s just submitted of their show. His false enthusiasm brings him closer to Helen, but only for a night. The real review is published, and the critic quits his job and follows her to London in the hopes of winning her heart. And into the company of vampires with the perfect job for him: visiting pubs late at night and engaging the interest of good looking young people...
About the Ticket Supplier: Second Wind Productions
Second Wind is dedicated to theatre that approaches social and political issues from the human perspective. They embrace the tradition of theater as an instrument of both education and catharsis.







