Eagles Tribute Desperado at The Coach House, with Tom Jones Tribute Atomic Jones
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The last date listed for Eagles Tribute Desperado was Friday January 25, 2013 / 8:00pm.
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Winner of Entertainer of the Year at the 2013 International Bluegrass Music Awards (IBMA), the Gibson Brothers blow away audiences with their mix of Bill and Charlie Monroe-esque high notes and Everly Brothers-style tenderness. Their 2011 album, Help My Brother, won IBMA Album of the Year and their follow up, They Called It Music, may be even better. And after touring all over the world brothers Leigh and Eric and the rest of their band are coming to The Coach House with their haunting original songs and covers of classics like Loretta Lynn and Shawn Camp's "Dying For Someone to Live For." Bluegrass musicians Mark Cassidy and kdDid are scheduled to open for the Gibson Brothers. Learn More
Reviews & Ratings
Featured review from Christina
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Awesome night - I have heard various different tribute bands - Desperado is by far the BEST!!! Ticket purchase said standing room only so I was pleasantly surprised when I got to sit down, even close to the stage. ZZ Top tribute band was also very good. Both worth hearing again and again...
The lifelong quest of any artist or band is most commonly to accurately represent and replicate his or her surroundings. Like the great musical composers of the classical and renaissance periods, the music was not only a medium of which to hear, but the very fiber by which they lived. In the 1960s and '70s, Southern California became the home of a new slick musical style, comprising of strong instrumental sketches sprinkled with ethereal, political and heartfelt storytelling.
This blueprint became the standards by which all great groups were measured. Starting with the Beach Boys, and The Byrds, Southern California's own Eagles road this wave of melody, harmony and musicianship to the top of the charts. Although the longest journey begins with the first step, the five talented members of Desperado have set out to resurrect this once prominent blueprint back into the fiber of today's Southern California music scene and to musically demonstrate the fact that imitation is the highest form of flattery.