Peninsula Symphony Plays Mahler's Symphony No. 5, Plus Mendelssohn
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The last date listed for Peninsula Symphony: Mahler's Symphony No. 5 was Friday May 16, 2008 / 8:00pm.
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Celebrate Mother's Day with a delightful spring concert that celebrates the bond between mother and child through song from San Jose Wind Symphony. The program features children's classics the entire family will enjoy, including musical treatments of Aesop's Fables and A Child's Garden of Verses, Debussy's The Children's Corner, Englebert Humperdinck's "Prayer and Dream Pantomime" from Hansel and Gretel and hits from the Disney songbook. The concert features the talented musicians of the San Jose Wind Symphony under the baton of Dr. Edward C. Harris, with story narration by Walter M. Mayes. Learn More
Consider it a musical “double bill” of two blockbuster masterworks. That’s what the acclaimed Peninsula Symphony has in store when the ensemble presents Mahler’s mighty Symphony No. 5 in C major and Mendelssohn’s sunny and energetic Violin Concerto in E, Op. 64, one of his last orchestra pieces. These two equally great Romantic compositions explore vastly different emotional landscapes – making for a powerful and magnificent evening of music:.
“Mendelssohn’s Violin Concerto is a virtuoso work which features some fabulous displays of technical prowess from the soloist. But it also showers the audience in a steady stream of rich and warm-hearted rhapsodic melody,” said Peninsula Symphony conductor Mitchell Sardou Klein. “Our soloist will be the winner of the 2007 Irving M. Klein International String Competition in San Francisco, violinist Jing Wang. He is a mesmerizing performer, dynamic and animated, and his interpretation of the Mendelssohn Concerto will enchant you.”
Mahler’s Fifth is a tall and vast mountain of music, written for a very large virtuoso orchestra. Beginning with a funereal trumpet solo that explodes into fiery outbursts of orchestral temperament, it progresses through five movements of emotional turbulence, including the vehement storms and stresses of the second movement, a flashy scherzo, the haunting and profoundly peaceful Adagietto, and a breathtaking finale. Mahler’s world is as complex, troubled and tumultuous as Mendelssohn’s is contented and blissful. Hearing two of their most celebrated compositions in juxtaposition will be interesting and challenging.