Caryl Churchill's Owners, a Play About Personal Property
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The last date listed for Owners by Caryl Churchill was Friday May 14, 2010 / 8:00pm.
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Steve Silver's Beach Blanket Babylon is the world's longest-running musical revue. Since 1974, this San Francisco institution has followed Snow White on a musical comedy quest around the world, where she runs into satirically portrayed pop culture and political celebrities, an impressive array of gigantic hats and one show-stopping musical number after another. Because the show is constantly updated with new costumes, hats and characters, it rewards repeat visits. Among the familiar faces you might see spoofed in Beach Blanket's latest incarnation: Lady Gaga, Barack and Michelle Obama, the cast of Glee, Kate Middleton and Adele. Now celebrating its 40th anniversary, Beach Blanket Babylon remains one of San Francisco's wildest evenings of live entertainment. Learn More
Quotes & Highlights
“Highly comic.” —_The New York Times _
Critic’s Pick_ —San Francisco Chronicle_
Written by Caryl Churchill
Directed by Elizabeth Williamson
London-born playwright Caryl Churchill is known for her non-naturalistic techniques and themes dealing with feminism, abuse of power, and sexual politics.
Owners director Elizabeth Williamson’s New York directing credits include Sarah Kane’s 4.48 Psychosis (Lincoln Center Theater Directors Lab), Peter Morris’ The Second Amendment Club (AMS, then West End Theater), The Floating World (which she adapted from Chikamatsu for Lincoln Center Theater’s American Living Room Festival at HERE), Genet’s The Maids (FringeNYC 2001, in the US premiere of Martin Crimp’s translation). For the Act French Festival, also in New York, she directed the U.S. premiere of Michel Azama’s The Life and Death of Pier Paolo Pasolini, a _Village Voice _Choice of the Week.
About the Ticket Supplier: AlterTheaterCommitted to the creative growth of theater artists and to a community that is inclusive, diverse, and accepting, Alternative Theater Ensemble seeks to make theater more accessible to the non-theatergoing public by producing compelling work in places where people are, and to reconnect theatergoers with the unique power of intimate, immediate storytelling.
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