An Evening With Richard Buckner and David Kilgour
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The last date listed for An Evening With Richard Buckner and David Kilgour was Saturday August 20, 2011 / 8:00pm.
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Ottmar Liebert, renowned nouveau flamenco guitarist, and his band Luna Negra perform live at the Triple Door in Seattle. The five-time Grammy nominee has released 25 albums, earning 38 gold and platinum certifications in the USA, plus more awards around the world. His debut, 1990's double-platinum Nouveau Flamenco, is one of the best-selling guitar albums ever -- pretty impressive for a man who, up to that point, had worked a series of odd jobs, including dishwasher, bike messenger, truck driver and bank teller. Don't miss his yearly stop at the Triple Door. Learn More
There is a parking garage literally RIGHT next to the venue. I don't recall the cost sadly (average for the area I think), but I will say it was very well guarded and if you do us it, remember to take your ticket with you as it is your key for elevator use! Also Parking technically begins on the 3rd level.Dirty Bourbon River Show travel • Aug 19 2014 star this tip starred
Quotes & Highlights
Richard Buckner is a husky-voiced country-folk singer/songwriter is very much in the mold of the Lubbock, Texas, school of mavericks, including Butch Hancock, Terry Allen, and Jimmie Dale Gilmore. Richard Buckner is actually based in San Francisco, but the Lubbock connection is no accident. His debut album, Bloomed, was recorded in Lubbock, with producer Lloyd Maines, who has also worked with Hancock, Allen, Joe Ely, and Uncle Tupelo. Like Allen and Hancock, the guitarist’s work is based in rootsy country traditions, but his lyrics are far too personal and ambitious for those who think of country music as virtually synonymous with Nashville.
David Kilgour is a guitar god for guitar atheists. He’s worthy of worship, but his style neither demands nor expects it, all of which only serves to increase his otherworldly cool. Left by Soft, his first album in four years with the Heavy Eights, comes on the heels of The Clean’s excellent 2009 outing, Mister Pop. You could say it’s all part of a late-career renaissance, but that implies there’s been some sort of valley in his 30 years of making music. This time, there are more of the elegantly chiming chords and beautifully drifting solos, all presented with Kilgour’s sparkling pop sensibilities.