Venue Details

4139 Star Starred
The Triple Door
Corner of Union & 3rd Ave. 216 Union Street Seattle, WA 98101
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5 events
2 reviews
2 stars
The weather was hot. I wore skort, top and no sweater or wrap, which would have been handy with the air conditioning going..
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2 events
2 reviews
6 stars
There is a parking garage literally RIGHT next to the venue. I don't recall the cost sadly (average for the area I think), but I will say it was very well guarded and if you do us it, remember to take your ticket with you as it is your key for elevator use! Also Parking technically begins on the 3rd level.
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Reviews & Ratings

2 ratings
5.0 average rating
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27 events
6 reviews
2 stars
attended Sep 17 2010

Andre and Michael were individually great, and together were spectacular. Played for 2 1/2 hours.

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More Information


 Over 20 years of performing and recording, award-winning, virtuoso guitarist Andre Feriante has left his musical mark on the classical, world music, and fusion scenes. 

Feriante moved to Seattle in the late 1980s, where he continued performing while embarking upon his career as a recording artist. In the early ’90s, he underwent a powerful artistic transition. Many classical guitarists are slavishly tied to the written music they perform, and Feriante wanted desperately to explore the spontaneous creative expression of improvisation. He began to move away from being simply an interpreter of classical music and to explore new uncharted realms of creativity. Inspired by the metaphysical mysticism of the Sufi poet Rumi, and even by the introverted pop balladry of artists such as Nick Drake, Leonard Cohen, and Tom Waits, he began writing poetry, painting, and penning more innovative pieces of music that incorporated elements from his many musical influences. 

A gracefully seasoned performer, Feriante has dedicated his life to music, and his innovative, effortless style appeals to music lovers of all kinds. For Feriante, making art is about the universal search for healing and for meaning. It’s no longer just about the guitar, or about any instrument, for that matter. Rather, it’s about tapping into something less tangible and more unifying those transcendent, ethereal flashes of human communication that take place when we stop simply listening and give ourselves over completely to the experience of a single, wonderful moment.