Venue Details

1109 Star Starred
The Triple Door
Corner of Union & 3rd Ave. 216 Union Street Seattle, WA 98101
206-838-4333
Venue website Get directions
Jennifer Barcelo
There is a parking garage literally RIGHT next to the venue. I don't recall the cost sadly (average for the area I think), but I will say it was very well guarded and if you do us it, remember to take your ticket with you as it is your key for elevator use! Also Parking technically begins on the 3rd level.
Dirty Bourbon River Show travel Aug 19 2014 star this tip starred
Jennifer Barcelo
I wore A swing dress with heels and a light jacket! .
Dirty Bourbon River Show dress Aug 19 2014 star this tip starred
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Reviews & Ratings

3 ratings
4.7 average rating
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5 events
3 reviews
6 stars
attended Apr 20 2011

The reason I'm giving 4 starts is that not all music was really "live". For many songs Hauschka played recorded tracks and added his piano over it. I also thought many sogns were just continuously repeating short melodies over and over that I get...continued

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2 events
1 review
1 stars
attended Apr 20 2011

There were 5 string musicians, a percussionist and the pianist. The Triple Door is a magical setting. The musicians were young and excellent. Hauschka spoke to us as if we were in his living room. He was personable. He and the percussionist...continued

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More Information

Website

http://www.thetripledoor.net/Calendar/Events/April-2011/Hauschka....

Quotes & Highlights

Check out Hauschka’s MySpace page.

Description

Hauschka’s striking third album for FatCat’s 130701 imprint sees the pianist/composer making ambitious advances on his critically-acclaimed previous work. Stepping out from his established niche as a gifted and engaging “prepared piano” player, he boldly extends his repertoire, resetting his music within a rich orchestral score.

Nine of the album’s twelve tracks feature a 12-piece string and wind ensemble from San Francisco’s Magik*Magik Orchestra, alongside Volker Bertelmann’s own prepared piano. Dynamic, brimming with character and colour, Foreign Landscapes retains its author’s distinctive musical voice and leads the listener through a beautifully balanced collection, moving from delicate solo piano lyricism to a propulsive, robust minimalism. Now dark and intimate, now playful, now driving, the ensemble’s fleshed-out instrumentation enables Hauschka to bring his exuberant versatility to a vital new level. With Foreign Landscapes, Hauschka stretches for — and reaches — stunning new realms.