Venue Details

710 Star Starred
The Triple Door
Corner of Union & 3rd Ave. 216 Union Street Seattle, WA 98101
Venue website Get directions
Goldstar Member
Food served at Triple Door is from Wild Ginger -- they are famous for their duck. Got the duck last night and my table mates were eyeing it wistfully. Did not disappoint.
Ottmar Liebert & Luna Negra dining Apr 22 2014 star this tip starred
Diane Lee
I wore casual clothes, but there was a variety, from nice/casual to dressy.
Singer-Songwriter Meklit Hadero dress Apr 01 2014 star this tip starred

Reviews & Ratings

3 ratings
4.7 average rating
  • 0
  • 0
  • 0
  • 0
  • 0
5 events
3 reviews
6 stars
attended Apr 20 2011

The reason I'm giving 4 starts is that not all music was really "live". For many songs Hauschka played recorded tracks and added his piano over it. I also thought many sogns were just continuously repeating short melodies over and over that I get...continued

star this review starred report as inappropriate
2 events
1 review
1 stars
attended Apr 20 2011

There were 5 string musicians, a percussionist and the pianist. The Triple Door is a magical setting. The musicians were young and excellent. Hauschka spoke to us as if we were in his living room. He was personable. He and the percussionist...continued

star this review starred report as inappropriate
More Information


Quotes & Highlights

Check out Hauschka’s MySpace page.


Hauschka’s striking third album for FatCat’s 130701 imprint sees the pianist/composer making ambitious advances on his critically-acclaimed previous work. Stepping out from his established niche as a gifted and engaging “prepared piano” player, he boldly extends his repertoire, resetting his music within a rich orchestral score.

Nine of the album’s twelve tracks feature a 12-piece string and wind ensemble from San Francisco’s Magik*Magik Orchestra, alongside Volker Bertelmann’s own prepared piano. Dynamic, brimming with character and colour, Foreign Landscapes retains its author’s distinctive musical voice and leads the listener through a beautifully balanced collection, moving from delicate solo piano lyricism to a propulsive, robust minimalism. Now dark and intimate, now playful, now driving, the ensemble’s fleshed-out instrumentation enables Hauschka to bring his exuberant versatility to a vital new level. With Foreign Landscapes, Hauschka stretches for — and reaches — stunning new realms.