Extravagant Jazz Vocalist Sara Gazarek Dazzles at Triple Door
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The last date listed for Jazz Vocalist Sara Gazarek was Wednesday May 29, 2013 / 9:30pm.
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Together now for more than a decade, bassist Reid Anderson, pianist Ethan Iverson and drummer David King -- otherwise known as the Bad Plus -- are famed for their fearless mix of improvisational jazz with an indie-rock ethos. They're also known for their adventurous reworkings of pop, classical and even country tunes ranging from Ornette Coleman to Black Sabbath to Nirvana. Their most recent album, Never Stop, consists of entirely new originals and covers a range of musical styles from swing to '80s techno. Learn More
There is a parking garage literally RIGHT next to the venue. I don't recall the cost sadly (average for the area I think), but I will say it was very well guarded and if you do us it, remember to take your ticket with you as it is your key for elevator use! Also Parking technically begins on the 3rd level.Dirty Bourbon River Show travel • Aug 19 2014 star this tip starred
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Take a "behind-the-scenes ":http://www.youtube.com/watch?feature=player_embedded&v=t3d7Zn9uc6olook at the production of Gazarek’s latest album, Blossom & Bees, five years in the making
Born and raised in Seattle, Gazarek grew up without much exposure to jazz. In her early teens she was inspired by musical theater and dance, but she ended up discovering and falling in love with the jazz choir at her high school. Gazarek didn’t discover her calling until her senior year, when her school band flew to New York City to compete in the Essentially Ellington Competition, hosted by the Lincoln Center Jazz Orchestra. It was the first year that the competition included a big band vocal feature, so Gazarek joined the band, and ended up walking away with the first ever Ella Fitzgerald Charitable Foundation Vocal Soloist Award.
When Gazarek arrived at the University of Southern California, she was the only jazz studies vocal major in her class, and quickly discovered that she was way behind her peers when it came to jazz theory. She spent much of the first year off by herself studying for hours every day, listening closely to classic recordings by Miles Davis, Charlie Parker, Sonny Rollins and Hank Mobley. At USC, Sara helped develop the JazzReach program, spending two years as a jazz choir director with inner city elementary school children. “I was fortunate to have a very passionate jazz educator at my high school, and know that if it wasn’t for Scott, I probably wouldn’t have discovered my own love of jazz. The idea of lighting that flame in even just one young musician is exciting to me.”