Extravagant Jazz Vocalist Sara Gazarek Dazzles at Triple Door
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The last date listed for Jazz Vocalist Sara Gazarek was Wednesday May 29, 2013 / 9:30pm.
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Ottmar Liebert, renowned nouveau flamenco guitarist, and his band Luna Negra perform live at the Triple Door in Seattle. The five-time Grammy nominee has released 25 albums, earning 38 gold and platinum certifications in the USA, plus more awards around the world. His debut, 1990's double-platinum Nouveau Flamenco, is one of the best-selling guitar albums ever -- pretty impressive for a man who, up to that point, had worked a series of odd jobs, including dishwasher, bike messenger, truck driver and bank teller. Don't miss his yearly stop at the Triple Door. Learn More
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Take a "behind-the-scenes ":http://www.youtube.com/watch?feature=player_embedded&v=t3d7Zn9uc6olook at the production of Gazarek’s latest album, Blossom & Bees, five years in the making
Born and raised in Seattle, Gazarek grew up without much exposure to jazz. In her early teens she was inspired by musical theater and dance, but she ended up discovering and falling in love with the jazz choir at her high school. Gazarek didn’t discover her calling until her senior year, when her school band flew to New York City to compete in the Essentially Ellington Competition, hosted by the Lincoln Center Jazz Orchestra. It was the first year that the competition included a big band vocal feature, so Gazarek joined the band, and ended up walking away with the first ever Ella Fitzgerald Charitable Foundation Vocal Soloist Award.
When Gazarek arrived at the University of Southern California, she was the only jazz studies vocal major in her class, and quickly discovered that she was way behind her peers when it came to jazz theory. She spent much of the first year off by herself studying for hours every day, listening closely to classic recordings by Miles Davis, Charlie Parker, Sonny Rollins and Hank Mobley. At USC, Sara helped develop the JazzReach program, spending two years as a jazz choir director with inner city elementary school children. “I was fortunate to have a very passionate jazz educator at my high school, and know that if it wasn’t for Scott, I probably wouldn’t have discovered my own love of jazz. The idea of lighting that flame in even just one young musician is exciting to me.”