Joy Kills Sorrow w/Joy Mills at the Triple Door
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The last date listed for Joy Kills Sorrow w/Joy Mills was Friday August 5, 2011 / 8:00pm.
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In just eight short years, Scottish singer-songwriter Sandi Thom has sold over one million albums, been nominated for a Brit Award and won both Album of the Year at the Scottish Music Awards and the Ivor Novello Award for Excellence in Songwriting. Drawing praise from fans and critics alike (UK's The Times recently hailed Thom as "exquisite" and The Huffington Post praised her "fierce and honest" songwriting), Sandi Thom is known for her powerful, take-no-prisoners vocals and classic blues-rock sound. Now Thom's taking bringing her act to The Triple Door, hot on the heels of her latest album, Flesh and Blood, which features collaborations from The Black Crowes, The Rolling Stones' Bobby Keys and even the legendary Buffy Sainte-Marie. Learn More
There is a parking garage literally RIGHT next to the venue. I don't recall the cost sadly (average for the area I think), but I will say it was very well guarded and if you do us it, remember to take your ticket with you as it is your key for elevator use! Also Parking technically begins on the 3rd level.Dirty Bourbon River Show travel • Aug 19 2014 star this tip starred
Formed under the banner “a modern American string band,” this Boston-based stringband brings a decidedly modern sensibility to an old-world sound, channeling the prodigious talents of its individual members into elegant arrangements and well-crafted songs. While the group pays due homage to its Bluegrass roots—its name is taken from WJKS, a radio station that broadcasted the Monroe brothers’ show in the 1930s—the band truly excels in its rich and textured treatment of more contemporary material. Boasting a full arsenal of original songs, Joy Kills Sorrow plumbs the entire spectrum of its spare instrumentation, effortlessly merging influences as diverse as folk, rock, pop, and jazz. The music that emerges is dark and often funny, ruminating on modern life and love with eloquence and wit. The result is a radical new strain of folk music, one that bravely breaks with tradition even as it salutes the past.