Nouveau Flamenco Musician Ottmar Liebert and His Ensemble Luna Negra
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The last date listed for Ottmar Liebert & Luna Negra was Sunday August 17, 2014 / 7:30pm (Doors Open at 6:00pm).
Currently at The Triple Door
- Full Price:
- $20.00 - $30.00
- Our Price:
- $10.00 - $15.00
If you have a taste for the bizarre, then you're in for a real treat when one of Seattle's underg … More
Reviews & Ratings
Featured review from Huston
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The Triple Door is a fine venue. Good food, good service. Perhaps a little too large to characterize as "intimate," but close. Ottmar Liebert is a wonderful guitarist. I would classify him as post flamenco. This two hour show (with one intermission) was continuous music. Ottmar introduced his drummer and basist, but otherwise made no comments - they just sequed from one song to the next, allowing only a short interlude for applause. It was a very enjoyable evening.
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'Though late, we sat near the front (albeit on the side). My view of Mr. Liebert was therefore somewhat obscured, but hubby's was good. The concert was very good. And, this being a dinner venue, the wait service was impeccable, even when we...continued
Liebert’s incredible global success on a musical level often seems like a simple outgrowth of his cultural background and powerful wanderlust in his formative years. Born in Cologne, Germany to Chinese-German father and Hungarian mother, he began playing guitar at 11, and traveled extensively through Europe and Asia intent on fully absorbing each musical tradition he encountered. After pursuing his Rock and Roll dreams first in his native Germany and then in Boston, he abandoned the frustrations of the East coast and settled in Santa Fe, New Mexico.
By 1989, he had founded the first incarnation of his new band Luna Negra. Nouveau Flamenco began life as a self-produced local release called Marita: Shadows and Storms, copies of which local Indian artist Frank Howell distributed in his art galleries. When the record found its way to radio stations and began generating a buzz among programmers and an unprecedented response among listeners, Higher Octave Music picked it up and released a fully remastered version.
“I was honestly happy playing this music in hotels and restaurants in Santa Fe, and going in one year from doing that to opening for Miles Davis was a pretty intense jump,” he recalls. “Most shocking for me was to realize how many different people from so many diverse cultures embraced it. I still get letters from fans in Europe, South-America, Australia, and Asia…it’s been a really gratifying experience. I’ve had the opportunity to play in a wide variety of cultural settings with musicians from around the world, and that has been a great experience, too.”
Liebert has since become one of the most successful instrumental artists of the past decade, thrilling audiences throughout the world and releasing a catalog of classic recordings, including the remix collection Euphoria (1995), the live album_ Viva! _(1995), the double CD Opium (1996) and the classical-oriented orchestral album Leaning into the Night (1997). He wrapped up his decade with Epic with 2001’s Little Wing and went back to Higher Octave Music, releasing a lush album of lullabies called In the Arms of Love in 2002 and an album with Luna Negra XL called The Santa Fe Sessions (2003).
La Semana (2004) was the first all-new band album in five years, followed by Winter Rose (2005), which featured original pieces, classical music and christmas songs. In 2006 Liebert’s record label SSRI released One Guitar, his first solo guitar recording, which received Liebert’s fourth nomination for a Grammy. His newest releases are Up Close (2008), which is a binaural dummy head surround sound recording, and The Scent of Light (2008) a labor of five years.