Venue Details

111 Star Starred
The Triple Door
At the corner of Union and 3rd Ave. 216 Union Street Seattle, WA 98101
206-838-4333
Venue website Get directions
More Information

Website

http://www.thetripledoor.net/Calendar/Events/September-2011/...

Quotes & Highlights

“Fans of Leo Kottke or Michael Hedges will find themselves right at home with [Roth’s] intricate guitar work…beautifully written lyrics.” —San Francisco Art Magazine
Learn more about the artists at their websites: Storyhill, and Justin Roth.

Description

*Storyhill

*An American folk duo, composed of Chris Cunningham and John Hermanson. The acoustic songwriting duo formed in Bozeman, Montana in 1989 simply as Chris & Johnny. They did not adopt the name Storyhill until 1996. They started performing together in Montana and later Minnesota, creating a strong grass-roots following before surprisingly breaking up in 1997. After this, both Hermanson and Cunningham separately pursued solo and group musical endeavors. Hermanson performed with the band Alva Star and the band The Hopefuls, while Cunningham performed with Sixth Sense and singer-songwriter Justin Roth. Much to their listeners’ enjoyment, the pair later happily reunited. After a number of self-produced albums they signed with Red House Records to produce the album Storyhill (2007), which received favorable reviews. The group is a winner of the 2007 Kerrville New Folk Competition.

Justin Roth

Justin Roth is a nationally touring singer/songwriter/acoustic guitarist who combines an artful blend of hooks laid on a bed of brilliantly inventive guitar technique for a unique mix of acoustic indie folk. He has sold over 11,000 copies of his five independent CDs as well as being a core contributor to an instrumental solo guitar album produced for Target Stores, entitled “Lifescapes – Solo Guitar,” which has sold over 70,000 copies nationwide. His path to acoustic music was solidified at 17, when he saw innovative guitarist Michael Hedges open for Crosby, Stills & Nash. Seeing that the acoustic guitar was capable of so much more than he had been exposed to before, from that moment on he knew it would be the root of his musical world. His use of alternate tunings, partial capos and his two-hand tapping technique leaves audiences mesmerized and displays his impressive guitar playing that has been described as, ‘more than just an instrument, but an extension of himself.’