An Evening of Russian Music with the Choral Arts Society of Washington
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The sensual vocals and poetic songwriting of Grammy-winning singer Mary Chapin Carpenter helped propel her 1992 country album Come On Come On to quadruple-platinum status. Since then, her beautiful music has become more socially and politically oriented, while also increasingly bringing in orchestral elements. Her latest album, Songs From the Movie, revisits tunes from her past, setting them to symphonic instrumentation evocative of a stirring film score. Now, you can see her play these compelling reinventions of her own with the National Symphony Orchestra. Learn More
When you go to an event at the Kennedy Center, make certain to see what is playing at the Millenium Stage. A free performance is offered at 6:00 every night. I saw a wonderful set of Broadway show tune sung by very talented students from Catholic University.NSO: Koh Plays Barber info • Nov 01 2013 star this tip starred
Reviews & Ratings
Featured review from Bob Maybury
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The music and the singers - soloists and choir - - were magnificent. A great tribute to "Slava" Rastroprovich
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My friend and I loved it--great music, quite good seats, wonderful chorus and soloists, good starting time. The tickets weren't already at the "will call" window when we got there at its opening, but they came down from the Choral Arts Society in...continued
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Although I enjoyed this concert, I thought that they could have chosen a different program of music that would have showcased the obvious talents of the soloists and chorus more effectively. The Waltz at the beginning of the second half of the...continued
This concert will feature Rachmaninoff’s The Bells, conducted by Artistic Director Norman Scribner. Guest conductor Antony Walker (Artistic Director of Washington Concert Opera) will conduct the second half of the program, featuring masterpieces from the Golden Age of Russian Opera. Highlights will include the Coronation Scene from Mussorgsky’s Boris Godunov, the Ballroom Scene from Tchaikovsky’s Eugene Onegin and the final scene from Prokofiev’s Alexander Nevsky. Soprano Alessandra Marc, tenor Paul Austin Kelly and bass Robert Pomakov will perform with the 190-member chorus and full orchestra.
Rachmaninoff completed his choral symphony The Bells in 1903 and considered it his favorite of all his works. The traditional four-movement symphony uses the text of Edgar Allan Poe’s poem “The Bells” to explore the themes of happiness, love, fear and death. The second half of the program will showcase the contributions of Russian composers to the world of opera in such masterpieces as Tchaikovsky’s Eugene Onegin, The Enchantress, and_ The Queen of Spades_; Borodin’s Prince Igor; Rimsky-Korsakov’s May Night; Mussorgsky’s Boris Godunov and Prokofiev’s Alexander Nevsky.
Guest conductor Antony Walker is beginning his sixth year as Artistic Director and Conductor of Washington Concert Opera with the 2007-2008 season. Maestro Walker is well-respected for his operatic conducting, and in addition to his work with WCO, also serves as Music Director for the Pittsburgh Opera and Co-Artistic Director of Sydney’s Pinchgut Opera. Since his conducting debut, he has led 54 operas, 47 large-scale choral/orchestral works and numerous symphonic works with companies in Europe, his native Australia, and the United States.
Dramatic soprano Alessandra Marc last appeared with Choral Arts as the featured soloist for the 2002 Christmas Music concerts. Ms. Marc is well known for her operatic performances, and has performed major roles both nationally and internationally with the Lyric Opera of Chicago, San Francisco Opera, Metropolitan Opera, Royal Opera House Covent Garden (London), Teatro dell-Opera (Rome) and Teatro alla Scala (Milan). Reviewers have praised her voice for its unique color, range and quality, and a Washington Post review declared that “Alessandra Marc has the most beautiful voice in the world.”
Tenor Paul Austin Kelly returns to Choral Arts after last fall’s performance of Beethoven’s Missa Solemnis. Mr. Kelly’s recent engagements included his first performance of the title role in La clemenza di Tito with Opera Boston and as Mozart in Rimsky-Korsakov’s Mozart e Salieri. Mr. Kelly’s opera highlights have included performances with the Metropolitan Opera, Canadian Opera Company, New York City Opera, Florida Grand Opera and Washington Concert Opera. Mr. Kelly’s double debut with the Rossini Opera Festival in Pesaro prompted Arioso International to say, “He possesses a free and easy voice with remarkable flexibility, secure production, a stage presence beyond reproach, a pleasing tone.”
At only 25 years of age, Canadian bass Robert Pomakov has already garnered incredible praise for his opera, concert, and recital appearances. Mr. Pomakov will make his debut with Choral Arts on this program. A recent graduate of the Curtis Institute of Music, Mr. Pomakov’s busy 2006-2007 season included appearances with the Canadian Opera Company, Lyric Opera of Chicago, Bordeaux Opera, Florida Orchestra, Toledo Symphony and the Calgary Philharmonic. Critics have raved “his voice soars magnificently” and acknowledged that his “sense of drama is so acute, without losing one bit of musicality."