Mozart's Requiem: What Makes It Great? from the Choral Arts Society of Washington
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The last date listed for Mozart: Requiem was Sunday April 10, 2011 / 3:00pm.
Currently at The Kennedy Center - Concert Hall
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Fantasy & Fate seems like a broad enough title for the latest National Symphony Orchestra concert under guest conductor Juraj Valcuha. But the name strains to encapsulate the embarrassment of riches the Kennedy Center concert offers, namely a sophisticated and witty Stravinsky suite; the NSO debut of an exciting violin virtuosa; and a Tchaikovsky symphony so dramatic "i … More
Reviews & Ratings
Featured review from Kirchhoefer
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If you haven't gone to the "What Makes It Great?" series, you must. You absolutely must! I'm an avid fan of W.A.Mozart and adored the commentary and insights from the initial discussion of his Requiem. But even a classical-agnostic would be thrilled by the way in which the music and its moving complexities were presented to the audience. Mozart is King -- a regular "Rex Tremendae Majestatis" in his own right. Choral was fantastic and the orchestra was equally top-notch!
Quotes & Highlights
“You’ve never heard a classical music concert like this before … Kapilow’s exuberance transported the audience back into the mind of the composer and his contemporaries…. it brings a whole new level of appreciation.” —San Diego Union-Tribune
“This was a knockout combination of education and entertainment … Hearing each song after Kapilow revealed its musical secrets was like meeting a celebrity just after reading his or her autobiography. Throughout the show Kapilow never once sounded dry or academic — but he did sound smart, enthusiastic, and stunningly articulate. He has a remarkable ability to make genius understandable to a general audience.” —Theatermania.com
“Concerts by the Choral Arts Society of Washington are one of life’s few truly reliable pleasures.” —The Washington Post
Former NPR music commentator and host of the What Makes It Great series Rob Kapilow joins the Choral Arts Chorus to “get audiences in tune with classical music at a deeper level than many of them thought possible” (Los Angeles Times). Kapilow unravels and explores this glorious musical masterpiece with the audience during the first half of the concert. The second half features a full performance of the work under the baton of Maestro Scribner, followed by a Q&A with the audience and the performers.