Post-Armageddon Comedy Mr. Burns, a post-electric play
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Share the fun and laughter of a night of karaoke with a group of friends at this touching and hilarious "tell-it-like-it-is" musical. Five girlfriends go from heartbreak to happiness during a wild night of karaoke as they relive their past, celebrate their present and look forward to their future. Audiences can't help but laugh, cry and even sing and dance in the aisles as the ladies belt out sing-it-yourself classics from the '80s and '90s like "Lady Marmalade," "It's Raining Men," "I Will Survive," "Man! I Feel Like a Woman!" and many more. Learn More
Reviews & Ratings
Featured review from Mark Anthony NewmanRed Velvet
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I thoroughly enjoyed this but I am an admitted Simpsons fanatic and am especially fond of the episode the play centers around--Cape Feare. However, I am not sure exactly how much a non-Simpsons fan would get out of it. The acting was top notch. One complaint about the play is that I wanted to know "what the hell" happened exactly but that's my same complaint with "The Walking Dead." However, that did not deter my enjoyment of the show. Again, for Simpsons fanatics this is a must-see. Everyone else? Your life is already a failure so it's up to you...
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A little late now (I think it closed), but a fine play. A reflection on the creation of memory/myth structure by which we order our lives. This one is rooted in popular culture (the Simpsons) and nightmare (a world without power). Another fine...continued
Featuring Woolly Mammoth Theatre Co. member Kimberly Gilbert, with Chris Genebach, Amy McWilliams, Erika Rose, Steve Rosen, Jenna Sokolowski and James Sugg. Steven Cosson directs.
This show is recommended for those age 14 and older. _ _
The show’s running time is two hours and 15 minutes, with an intermission._
About the Ticket Supplier: Woolly Mammoth Theatre Co.
Woolly Mammoth Theatre Company ignites an explosive engagement between theatre artists and the community by developing, producing and promoting new plays that explore the edges of theatrical style and human experience, and by implementing new ways to use the artistry of theatre to serve the people of Greater Washington, DC.