Venue Details

5623 Star Starred
The Kennedy Center - Concert Hall
2700 F Street, NW Washington, DC 20566
Venue website Get directions
It was a little disconcerting that the doors didn't open up until about 5 minutes before the show, but everyone got time to find their seats and take in the ambiance without feeling rushed. Ushers were excellent.
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Ate at the KC Cafe on the Terrace Level. Reasonable prices, great food, and no waiting. Ideal for having a civilized meal before the show.
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Reviews & Ratings

12 ratings
4.7 average rating
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17 events
11 reviews
7 stars
attended Apr 17 2011

brings back the great band era
was wonderful

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2 events
2 reviews
2 stars
attended Apr 17 2011

It was very enjoyable. I thought the second half was better than the first. I think his voice warmed up and he did a good job.

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5 events
2 reviews
1 stars
attended Apr 17 2011

This was my first local use of Goldstar and I was very pleased. The show was wonderful. I've been a semi-fan for years, but never attended a live performance. Michael Feinstein's enthusiasm and talent made it one of my most enjoyable...continued

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More Information


Quotes & Highlights

“Smooth, rippling, perfectly manicured vocal and pianistic lines.” —_The New York Times _
Visit Michael Feinstein’s website for photos, a bio and more.


Pioneer of the American songbook, singer and pianist Michael Feinstein returns to town for an encore performance at the Kennedy Center following his sold-out appearance last season at the Music Center at Strathmore. Said the New York Times of a recent performance, “The heart of the show was Mr. Feinstein’s intensely romantic performances of ballads, during which his voice floated over rippling pianism that suspended time…the voice and piano became one, the sheer beauty of the sound transporting you into a dream.”

Always entertaining, Feinstein’s performances defy categorization as he delivers smooth renditions of well-known as well as forgotten treasures by the Gershwins, Cole Porter, Irving Berlin and others along with anecdotes about the music, often singing heretofore unknown lyrics. His latest CD, Cheek to Cheek with singer Barbara Cook, landed on the Billboard Jazz Chart at No. 15 after its release in early February 2011.

Michael Feinstein has blazed a brilliant career that had its foundation in a six-year apprenticeship with George Gershwin’s lyricist and brother, Ira. Now celebrating his 26th year as a performer, this four-time Grammy nominee has been playing the piano since age five. He began to perform professionally in Los Angeles bars in his early twenties, where he was introduced by the widow of pianist/composer and An American in Paris actor Oscar Levant to Ira Gershwin, who hired him to catalog his extensive collection of records. Feinstein was immersed in the works of Ira and George Gershwin while also becoming lifelong friends with singer Rosemary Clooney, who lived next door. Feinstein was the musical consultant for the Broadway show My One and Only, an amalgamation of Gershwin songs.

Feinstein recorded his first CD, Pure Gershwin_, a collection of music by George and Ira Gershwin in 1986, followed by Live at the Algonquin_; Remember, featuring the music of Irving Berlin; Isn’t It Romantic, a collection of standards backed by an orchestra; and Over There, featuring both American and European music from the First World War. Following that, Feinstein started a series of performances featuring the music of a particular composer and accompanied by the composer. Among his collaborators were Burton Lane, Jule Styn, Jerry Herman, Hugh Martin, Jimmy Webb and Jay Livingston/Ray Evans. Following that, Feinstein recorded two more albums of Gershwin music: _Nice Work if You Can Get It _and Michael and George. Other albums of standards have included Forever, Such Sweet Sorrow, Big City Rhythms, Romance on Film/Romance on Broadway, Live with the Israel Philharmonic and Hopeless Romantics, with George Shearing.

About the Ticket Supplier: Washington Performing Arts

For 40 years Washington Performing Arts Society has created profound opportunities by connecting the community to artists, in both education and performance. Through live events in venues that criss-cross the landscape of the D.C. metropolitan area, WPAS invites all to share lifelong opportunities to deepen their cultural knowledge, enrich their lives, and expand their understanding of the world through the universal language of the performing arts.

Established in 1965 by impresario Patrick Hayes, the organization flourished under Douglas Wheeler from 1982 to 2002. Now with the inspired leadership of President Neale Perl, Washington Performing Arts Society continues to be widely recognized as one of the leading presenters of the performing arts in the nation.