Other Desert Cities Smartly Examines Family, Politics
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The last date listed for Other Desert Cities was Tuesday May 14, 2013 / Noon.
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Outstanding play. I usually don't like to see plays that just rehash typical family drama, but this one was remarkably well written. Great set and great theater to see it. Acting was good overall but I saw it opening night and there were still...continued
Hidden secrets are unearthed and family tensions fly high in Pulitzer Prize nominee Jon Robin Baitz’s contemporary family drama Other Desert Cities, hailed by The New York Times as “the best new play on Broadway” in 2011. Helen Hayes Award winner and former Arena Stage Associate Artistic Director Kyle Donnelly returns to direct the D.C.-area premiere of the show with a cast that features Tony Award nominee and two-time Helen Hayes Award winner Helen Carey (Mary Tyrone in Arena Stage’s Long Day’s Journey Into Night, Broadway’s Hedda Gabler) as matriarch Polly Wyeth and two-time Tony Award nominee Larry Bryggman (Broadway’s Harvey, CBS’s As the World Turns) as patriarch Lyman Wyeth. Rounding out the cast are Emily Donahoe (Broadway’s 33 Variations) as daughter Brooke Wyeth, Scott Drummond (Cherry Lane Theatre’s A Perfect Future) as son Trip Wyeth and Martha Hackett (Pacific Resident Theatre’s Nora) as their Aunt Silda Grauman.
About the Ticket Supplier: Arena Stage
Arena Stage today stands as a flagship American theater. Arena Stage was one of the first not-for-profit theaters in the United States, as well as a pioneer of the regional theater movement. It was the first regional theater to transfer a production to Broadway, the first invited by the U.S. State Department to tour behind the Iron Curtain, and the first to receive a Tony Award. Taking a leadership role in extending theater’s horizons, Arena Stage has implemented groundbreaking policies and programs, promoting diversity in all aspects of theater, from theatergoing to production.
The Arena Stage legacy of world-class productions includes vast epics, charged dramas, rousing musicals, and probing profiles. From the monumental to the developmental, Arena Stage has helped build the canon of American theater. While they produce American classics, Arena Stage premieres new American plays and supported works in progress. They’ve nurtured artistic growth and engaged the community, broadening and intensifying the theatrical experience for one and all. And yet, in spite of it all, in their second half-century they see themselves as more fresh, restless and dynamic than ever.