Venue Details

248 Star Starred
Kreeger Theater at Arena Stage
1101 Sixth St. Washington, DC 20024
202-554-9066
Venue website Get directions
Lori M Kelman
You may bring drinks but not food into the show
Maurice Hines Is Tappin' Thru Life info Nov 23 2013 star this tip starred
Lori M Kelman
Street parking is available if you're willing to look for it. The show is 90 minutes and the maximum for many parking spots is 2 hours.
Maurice Hines Is Tappin' Thru Life info Nov 23 2013 star this tip starred
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Reviews & Ratings

6 ratings
4.8 average rating
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16 events
5 reviews
2 stars
attended May 12 2013

It was an awesome play--very provocative. I saw the version on Broadway and sent my mom and best friend to this production. They were equally stunned, delighted as I was with this DC-based cast.

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9 events
3 reviews
4 stars
attended May 12 2013

Great play. It was funny, thought provoking and uplifting. The seats were good

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More Information

Website

http://www.arenastage.org/shows-tickets/the-season/productions/the-...

About the Ticket Supplier: Arena Stage

Arena Stage today stands as a flagship American theater. Arena Stage was one of the first not-for-profit theaters in the United States, as well as a pioneer of the regional theater movement. It was the first regional theater to transfer a production to Broadway, the first invited by the U.S. State Department to tour behind the Iron Curtain, and the first to receive a Tony Award. Taking a leadership role in extending theater’s horizons, Arena Stage has implemented groundbreaking policies and programs, promoting diversity in all aspects of theater, from theatergoing to production.

The Arena Stage legacy of world-class productions includes vast epics, charged dramas, rousing musicals, and probing profiles. From the monumental to the developmental, Arena Stage has helped build the canon of American theater. While they produce American classics, Arena Stage premieres new American plays and supported works in progress. They’ve nurtured artistic growth and engaged the community, broadening and intensifying the theatrical experience for one and all. And yet, in spite of it all, in their second half-century they see themselves as more fresh, restless and dynamic than ever.