Six-Ticket Flex Pass to Woolly Mammoth's 32nd Season
* Additional fees apply.
The last date listed for Woolly Mammoth Season 32 Flex Pass was December 26, 2011 - July 1, 2012.
Each Flex Pass holder will receive six tickets to use over the course of Season 32 for any date or time. Just call the Box Office more than 24 hours in advance of the performance you wish to see to reserve your seats.
Spoiler Alert: Everybody Dies (December 6, 2011 – January 8, 2012)__
Laugh while you can ‘cause things ain’t gettin’ better. Next season, Woolly artists fly to Chicago to work with The Second City’s classic comedy wizards in an unprecedented collaboration. Their mission? Bring back to Washington the most gleeful anti-holiday celebration of doom ever.
Civilization (February 13, 2012 – March 11, 2012)__
Does humanity have an expiration date? Six hungry city-dwellers scramble for sustenance in this scathing satire of American enterprise and ingenuity. But while they’re busy cooking up schemes for love and success, the beasts of agribusiness are closing in…
Arias With a Twist (April 4, 2012 – May 6, 2012)__
When aliens abduct a large drag queen and drop her in a teeny Garden of Eden, will she have enough room to fall from grace? International cabaret sensation Joey Arias and Obie Award-winning puppeteer Basil Twist team up for an eye-popping musical tour, from Genesis to risqué universes beyond imagination.
Mr. Burns (May 28, 2012 – July 1, 2012)__
Armageddon has hit, and all that remains is our nostalgia for a lost pop culture. In Anne Washburn’s riveting vision of post-apocalyptic America, survivors invent a new entertainment industry from the ashes of the old. With music by Obie Award-winner Michael Friedman, their enterprise gives redemptive new meaning to the pop hits and cartoon icons we can’t live without.
About the Ticket Supplier: Woolly Mammoth Theatre Co.
Woolly Mammoth Theatre Company ignites an explosive engagement between theatre artists and the community by developing, producing and promoting new plays that explore the edges of theatrical style and human experience, and by implementing new ways to use the artistry of theatre to serve the people of Greater Washington, DC.