You, Nero: Amy Freed's Subversive Comedy Set in Ancient Rome
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The last date listed for You, Nero was Sunday January 1, 2012 / 7:30pm.
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In this classic Agatha Christie whodunit (originally called Ten Little Indians), eight strangers … More
Reviews & Ratings
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The venue itself was really great. I had never been there before. The theatre was and "arena/in the round" stage. I think they did a great job with the staging/blocking of it so that it was visible to everyone around all four sides of the...continued
Quotes & Highlights
“Amy Freed gives zaniness a good name … a silly-savvy lark … a provocative bowl of goofy … The delightfully snide Danny Scheie purrs, simpers, fumes and camps it up grandly.” -–_Washington Post _
“If you love broad comedy, there’s a lot of it in You, Nero. Amy Freed captures all of that weird excess and contradiction in her comedy _You, Nero … matched perfectly by Scheie’s giddy characterization.” -–"Washington Examiner _":http://washingtonexaminer.com/entertainment/theater/2011/12/fiddling-history/1990716
This show is recommended for audiences ages 18 and up due to the mature content.
About the Ticket Supplier: Arena Stage
Arena Stage today stands as a flagship American theater. Arena Stage was one of the first not-for-profit theaters in the United States, as well as a pioneer of the regional theater movement. It was the first regional theater to transfer a production to Broadway, the first invited by the U.S. State Department to tour behind the Iron Curtain, and the first to receive a Tony Award. Taking a leadership role in extending theater’s horizons, Arena Stage has implemented groundbreaking policies and programs, promoting diversity in all aspects of theater, from theatergoing to production.
The Arena Stage legacy of world-class productions includes vast epics, charged dramas, rousing musicals, and probing profiles. From the monumental to the developmental, Arena Stage has helped build the canon of American theater. While they produce American classics, Arena Stage premieres new American plays and supported works in progress. They’ve nurtured artistic growth and engaged the community, broadening and intensifying the theatrical experience for one and all. And yet, in spite of it all, in their second half-century they see themselves as more fresh, restless and dynamic than ever.