Escovedo’s solo recording career began in 1992 with Gravity, hailed in its very first review by the Austin Chronicle as “a near perfect album of stunning originality… some of the greatest music to be found anywhere and anytime.” Such consistent unstinting praise has marked every release that followed through to Street Songs of Love, described as "ageless rock’n’roll” by the Washington Post and “required listening” by the New York Post. It’s no wonder that veteran Rolling Stone critic David Fricke pondered some years ago: “What does it take to make this man a star?”
But stardom has never been the motivation or the goal for Escovedo, who has relentlessly followed the spirit of his muse and his love for the music in a creative and personal journey marked by struggle, trials, rebound and triumph. He was raised in Southern California in a very musical family with a father who played in mariachi bands and older brothers Coke and Pete making their mark as noted percussionists in such pioneering Latin rock groups as Santana and Azteca.
In his teens Alejandro was a devoted surfer by day who spent many of his nights going to rock’n’roll concerts. “I went to every show, bought every record, read everything I could,” he recalls. It wasn’t until he was in college in San Francisco that he started playing guitar and formed a group with some friends for a student film he was making about “the worst rock’n’roll band in the world.”
They became The Nuns, a seminal act in the burgeoning San Francisco punk scene who opened for The Sex Pistols on the final date of their ill-fated 1978 U.S. tour at Winterland. He went on to play guitar in Rank and File, whose post-punk rocking twang presaged the rise of Americana and alt-country a decade or so later. The band eventually landed in Austin, Texas, where Escovedo started a hard-charging roots rock group, The True Believers, with his younger brother Javier and singer, songwriter and guitarist Jon Dee Graham. The group’s ill-starred run saw them debut with a well received album on EMI Records only to be dropped from the label on the eve of the release of their follow-up (both were later issued in 1994 on CD by Rykodisc in one package titled Hard Road).