Pierre Boulez and the Chicago Symphony Orchestra: The Firebird
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The last date listed for Pierre Boulez and the Chicago Symphony Orchestra: The Firebird was Thursday January 21, 2010 / 8:00pm.
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Revel in all the joy and power of one of the holiday season's most memorable and stirring pieces of… More
Reviews & Ratings
Featured review from Norm Sloan
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An all 20th Century Music program at the CSO,conducted by the great conductor and composer
Pierre Boulez,as part of Chicago's celebration of
his 85th Birthday.Program began with his own work
for strings LIVRES,followed by Bartok's Concerto
for 2 Pianos and Percussion and ending with Stravinsky's crowdpleasing FIREBIRD ballet score.
One of the finest concerts of the season,well attended including a lot of young and enthusiastic audience members.This is one of the programs CSO is taking to Carenegie Hall next week.
Chicago Symphony Orchestra
Pierre Boulez, conductor
Pierre-Laurent Aimard, piano
Tamara Stefanovich, piano
Cynthia Yeh, percussion
Vadim Karpinos, percussion
Boulez – _ Livre pour cordes _
Bartók – Concerto for Two Pianos, Percussion and Orchestra
Stravinsky – _The Firebird _
It’s the final week of the CSO’s birthday salute to Pierre Boulez! Two formidable artists, Pierre-Laurent Aimard and his protégé Tamara Stefanovich, join forces in Bartók’s Concerto for Two Pianos, Percussion and Orchestra. Boulez conducts his own Livre pour cordes and Stravinsky’s colorful, fairy-tale ballet score of The Firebird.
About the Ticket Supplier: Chicago Symphony Orchestra
The CSO is a musical force in Chicago and around the world with more than 150 performances and events a year, 107 talented musicians, two internationally renowned conductors, and two award-winning composers-in-residence.
The central mission of the Chicago Symphony Orchestra Association is to present classical music through the Chicago Symphony Orchestra to Chicago, national and international audiences.
The mission is supported by four mutually reinforcing elements: artistic excellence (continued international preeminence in the field of orchestral excellence), audience development (leading audience development initiatives), education (superior education and community programs) and financial stability (fiscal responsibility for long-term stability).
In November 2008, the CSO was ranked the best U.S. orchestra by Gramophone magazine.