Venue Details

38 Star Starred
City Lit Theater
2nd Floor of Edgewater Presbyterian Church 1020 W Bryn Mawr Ave. Chicago, IL 60660
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39 events
9 reviews
18 stars
several good restaurants near by Francesca and Little Vietnam would be my choice but good Mexican and Indian restaurants also on street Lots of BYOB choices
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71 events
37 reviews
29 stars
Several ethnic restaurants on Bryn Mawr for a quick bite before the theater.
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Reviews & Ratings

"Twelfth Night"
58 ratings
4.3 average rating
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15 events
7 reviews
3 stars
attended Feb 09 2008

Hilarious. Great company. The actor playing Malvolio was terriffic.

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20 events
7 reviews
20 stars
attended Feb 10 2008

it was really well done, but I didn't love it

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12 events
4 reviews
2 stars
attended Jan 19 2008

This was an excellent performance of "Twelfth Night," which has been my favorite Shakespearean play (at least of the ones I have read/seen) since college. With rare exception, the performances were very good and accurate to what we presume that...continued

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More Information


Twelfth Night is one of Shakespeare’s joyous comedies, and features what may be the most complicated love triangle in any play.  Viola, a shipwrecked stranger in Illyria, has disguised herself as a man and entered the service of the duke Orsino.  She falls in love with Orsino, but cannot reveal this to him without also revealing her true identity.  Orsino loves the countess Olivia, who will have nothing to do with him.  He sends the disguised Viola to Olivia as his emissary, and the countess promptly falls in love with the man she supposes Viola to be.

The play also features one of Shakespeare’s best-known comic subplots, the running battle between Malvolio, Olivia’s pompous chief of staff, and the fun-loving denizens of the household led by her aptly named uncle, Sir Toby Belch.

The cast for City Lit’s production is as follows:  Jeremy Cudd, Mike Dolson, Melanie Esplin, Vanessa Greenway, Nick Lake, Julian Martinez, Joe McCauley, Robert McLean, Frank Nall, Matt Rudy, Tiffany Joy Ross, Paige Smith, and Conor Woods.   The design team consists of Branimira Ivanova (costumes), Jared Moore (lighting), Hazel Marie (props), Marcus Stephens (set), and Robert Steel (sound and original compositions).

Jay Paul Skelton is Producing Artistic Director of the Shakespeare Festival at the University of Notre Dame.  He most recently directed Stephen Sondheim’s The Frogs at Pegasus Players, and Bizet’s Carmen for Opera Theatre North at Ravinia Festival. Other recent credits include Ravel’s opera The Bewitched Child for the Chicago Cultural Center, and the Jeff-nominated world premiere musical Camp Nimrod for Girls for Live Bait Theatre. He adapted and directed TimeLine Theatre’s To Live as Variously as Possible, about the life and work of poet Frank O’Hara, for which he received an After Dark Award for Outstanding New Play Adaptation. In addition, Jay received an After Dark Award for directing Eclipse Theatre’s Porcelain.  He has also worked at the Goodman, Lifeline, Silk Road, Mary-Arrchie, Next, About Face, Organic, CollaborAction, Circle, Chicago Dramatists and Theatre on the Lake, among others. He is on the teaching staff of Act One Studios in Chicago and is Assistant Professor of Shakespeare at the University of Notre Dame.

About the Ticket Supplier: City Lit Theater Company

City Lit was founded in 1979 and incorporated in 1980 by Arnold Aprill, David Dillon, and Lorell Wyatt. At the time it was the only theatre in the nation devoted to stage adaptations of literary material, a form that has since become quite popular. Over 30 seasons, City Lit has explored fiction, non-fiction, poetry, biography, essays, and drama in performance, and presented a wide array of voices, from classic writers such as Henry James, Edith Wharton, Oliver Goldsmith, Mark Twain, Colette, and P. G. Wodehouse to such contemporary writers as Alice Walker, W.P. Kinsella, Lynda Barry, Raymond Carver, Edward Albee and Ruth Prawer Jhabvala. As an Illinois not-for-profit corporation and a 501©3 federal tax-exempt organization, it keeps its ticket prices below the actual cost of operation and production, and depends on the support of those who share its belief in the beauty and power of the spoken written word.