Venue Details

8 events
7 reviews
26 stars
Bar menu at Silver Trumpet in the previous Wyndom Hotel on Ave of the Arts. Hotel is now called ave of the arts hotel.
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22 events
13 reviews
9 stars
I wore It's a fancy venue, but people wear everything from formal to jeans. I think it depends on how close to the stage your seat is..
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Reviews & Ratings

Diana Vishneva: "On the Edge"
29 ratings
3.6 average rating
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4 events
3 reviews
1 stars
attended Nov 06 2013

We had a great time. Our seats were right in the front and center! So surprised! We could see her expressions that made up the show. Diana vishneva is truly a one of a kind experience. Thanks gold star!

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57 events
23 reviews
19 stars
attended Nov 06 2013

Wonderful seats....excellent performance.....standing ovations...many curtain calls... Great evening!

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18 events
3 reviews
4 stars
attended Nov 06 2013

very enjoyable. great seats.

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More Information

Quotes & Highlights

For more info about ballerina Diana Vishneva, check out her official website .


About __Switch and Woman in a Room__:__

Switch__, by Maillot, who is choreographer-director of Les Ballets de Monte-Carlo, is a pas de trios set to music by the Academy Award®-nominated and Grammy® Award-winning composer Danny Elfman. Vishneva calls Switch “a story about a woman and her alter ego and her relationship with men.” It also features dancers Bernice Coppieters and Gaëtan Morlotti. Coppieters and Morlotti are stars of Les Ballets de Monte-Carlo. Coppieters was seen by Center audiences in 2009’s Tour de Forceand Morlotti danced here in Cinderella when the Center presented Les Ballets in 2012.


Woman in a Room__ is a solo piece created for Vishneva by Carolyn Carlson, director of National Centre for Contemporary Choreography in Roubaix and of the Atelier de Paris at La Cartoucherie de Vincennes in Paris. Inspired by the films of Andrei Tarkovsky, Woman in a Room is an evocative work that follows one woman’s journey in life, filled with joys, bitterness and contemplation. The music featured is by Italian post-minimalist composer and cellist Giovanni Sollima with a finale piece by René Aubry. “I’ve always thought of Carolyn Carlson as a choreographer who understands a woman’s soul and could make a story that would suit me and that we could collaborate on,” says Vishneva.