Venue Details

15 Star Starred
Doheny Mansion
on the Doheny Campus of Mount St. Mary's College 8 Chester Place Los Angeles, CA 90007
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15 events
4 reviews
19 stars
Arrive 20-30 mins early to claim open seats (although nearly all seats really are great!)
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15 events
4 reviews
19 stars
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Trio Jean Paul
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Quotes & Highlights

“…its interpretations are infused with an intelligent joy of playing and exuberant curiosity; dramatically gripping, yet always with delicate clarity; soloistically brilliant, but with a feeling for the poetic dialogue” —Berlin Tagesspiegel
“…rocked by stormily emotional but always cultured playing…”_ —The Strad _



*Joseph Haydn Trio in C Major, Hob. XV:27

Johannes Brahms Trio in C Minor, Op. 101

Felix Mendelssohn Trio in C Minor, Op. 66

“Whatever the young Trio Jean Paul tackles, its interpretations are infused with an intelligent joy of playing and exuberant curiosity; dramatically gripping, yet always with delicate clarity; soloistically brilliant, but with a feeling for the poetic dialogue.” That which the Berlin Tagesspiegel wrote about a concert by Trio Jean Paul in Berlin’s Philharmonie could also serve as the artistic credo of an ensemble that, since its founding in 1991, has developed into one of today’s most distinguished chamber music formations.

By naming their ensemble after the author Jean Paul, the three musicians not only refer to their special affinity for the works of Robert Schumann, but also to the fundamental artistic idea of making the music’s speech-like, rhetorical elements the point of departure of their interpretations. This approach not only leads to a fundamental re-evaluation of the works of the Classical period that are based on the principles of the Baroque tonal language, but can also be followed via the Romantic idea of “poetic music” to the music of today. An important area of the Trio’s work is therefore its occupation with the contemporary repertoire. Numerous premieres of works by renowned composers such as Brett Dean, Martin Christoph Redel, Michael Denhoff, Gordon Kerry, and Albrecht Gürsching testify to this engagement.

Besides an intensive collaboration with Hatto Beyerle (Alban Berg Quartet), other eminent musicians, including Nikolaus Harnoncourt and Sir Roger Norrington, were important influences in the ensemble’s artistic development.

After First Prizes at the international competitions in Osaka (1993) and Melbourne (1995), and at the German Music Competition (the First Prize at the latter being awarded to a piano trio for the first time in ten years), an extensive concert career has developed for the Trio Jean Paul which has led the ensemble on a regular basis to major musical centers such as London, Berlin, Paris, Amsterdam, and Brussels, as well as on tours to Australia, Japan, New Zealand, and South America. The Trio is also a welcome guest at international festivals (Schleswig-Holstein, Kissinger Summer, Luzern Festival, Ludwigsburger Festspiele, Braunschweig Classix, Schubertiade Feldkirch, Edinburgh, Schwetzinger Festspiele, Rheingau Festival, Kuhmo, etc.), and gives master classes at home and abroad.

Trio Jean Paul’s growing discography includes piano trios by Schumann and Rihm on the Ars Musici label; a Hoffmann trio, also on Ars Musici; Beethoven, Haydn and Shostakovich trios on Primavera Records; and a CD of their live ABC Classic FM performance of Beethoven, Smalley, and Schumann when they won the 1995 Melbourne competition. The Trio’s latest CD’s of Beethoven piano trios and the bestlisted (Der Deutschen Schallplatten Kritik) Schoenberg’s Verklaerte Nacht and Brahms Op. 8 can be found on the Ars Musici label.

“Trio Jean Paul combined an extraordinary degree of mutual understanding and suavity with an exceptionally developed responsiveness to dramatic and colouristic potential…the audience was rocked by stormily emotional but always cultured playing.” —The Strad

About the Ticket Supplier: The Da Camera Society of Mount Saint Mary's University

“As the name suggests, the Chamber Music in Historic Sites series ushers music into architectural spaces in relationships that can surprise, delight and perplex. Rarely, though, have sound and site been more ideally matched…” (L.A. Times)