Venue Details

281 Star Starred
Odyssey Theatre
2055 S. Sepulveda Blvd. Los Angeles, CA 90025
Venue website Get directions
10 events
3 reviews
5 stars
Ate after the show at one of the many Japanese restaurants on Sawtelle, just across the 405 freeway.
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36 events
17 reviews
11 stars
The theater is freezing cold.
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Reviews & Ratings

10 ratings
3.0 average rating
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1 events
1 review
4 stars
attended Feb 16 2014

Save your time and save your money.
I was excited to surprise my boyfriend with a little theatre and culture for valentines day but I was sadly mistaken.
The actors did a marvelous job of trying to keep us awake but the storyline and poor...continued

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657 events
377 reviews
-336 stars
attended Feb 14 2014

Ouch! Excellent acting and RAPID pacing couldn't save this piece. Even though we saw a preview, this show clearly needs a lot of work - especially cutting. In addition, several excellent actors spent most of the piece sitting on the sides - on...continued

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671 events
337 reviews
71 stars
attended Feb 13 2014

The idea of the play had intrigued me: a biography of the original bad boy of French literature. However, the play turned out to be really, really badly written. The best within this disaster could have been the recitation of Villon's poetry. ...continued

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More Information


Quotes & Highlights

“Humorous, energetic, and highly physical … [The] cast comprises LA stage vets who … make sturdy, faithful companions to Mednick and his kaleidoscopic theatermaking.”  —Arts in LA


This show’s running time is 90 minutes without an intermission.

About the Ticket Supplier: Padua Hills Playwrights Workshop/Festival

Padua Playwrights continues a writing, performance, and teaching tradition that began Off Off Broadway and was sustained and refined at the Padua Hills Playwrights Workshop/Festival. The Festival prospered on the right balance between teaching a serious writing workshop and the production of a professional festival of new work.Moving indoors, Padua has traded the raw immediacy of site-specific outdoor performances for the focus and finesse of an indoor theater space. Continued, however, is Padua’s exploration of the spoken word and its myriad connections to the possibility of real meaning.