Venue Details

Clemente Soto Velez Cultural Center
107 Suffolk Street New York, NY 10002
Website Get directions
2.3 / 5 Rated by 92 members
Review from Deborah R. Clark
Red Velvet 204 events 134 reviews

My daughter and I arrived at the Clemente Soto Velez Center at around 7:00 p.m. prior to our appointment of 8:30 p.m. We waited outside on this long line. We did not enter the building until 8:30 p.m. just to get on another long line. After...continued

reviewed Sep 30 2011 report as inappropriate
Review from Lana Matrai
Red Velvet 137 events 54 reviews

This event was pretty good, but it could have been scarier. The rat & the roach at the end of the show were really gross!

reviewed Oct 14 2011 report as inappropriate
Review from bonafidelatina
Red Velvet 29 events 1 review

I attended Nighmare last year in 2010 and it was pretty good and that is why I chose to go again this year 2011. However this year expectations were not met. The production was much shorter than last year and the 2nd portion of the show was...continued

reviewed Oct 02 2011 report as inappropriate
Review from aramat16
69 events 41 reviews

I don't know why so many bad reviews. I thought it was fine. While not the scariest and best haunted house I've been to- still had fun. The 2nd part is kinda cool too. I liked that there were 2 parts to the event. I enjoyed it, not bad.

reviewed Oct 26 2011 report as inappropriate
View All 78 Reviews
More Information

Quotes & Highlights

“Clever, meticulously designed and slyly cast. It works on old anxieties, tweaked just enough to make something new. The most terrifying haunted houses mix the traditional with inventive showbiz intelligence.” —New York Times
“Sick. Deliciously, awesomely sick!” —_Time Out New York _
“A brilliantly conceived spookhouse” —_The Village Voice _
Nightmare is AOL Cityguide’s No. 1 rated haunted attraction in America.
“This year the theme takes the once happy fairy tales and sickly converts them to horrific and gruesome variations.” —TheNYNightLife.com
“A fabulously interactive and varied journey, Nightmare forces visitors to don blindfolds, isolates members of groups for some quality alone time and utilizes seriously cool puppetry in addition to the physical performers.” —_Fangoria _

Description

In what is perhaps the most stylistic _Nightmare _to date, this year’s theme is Fairy Tales. Under the direction of Creator and Co-Director Timothy Haskell, _Nightmare: ___Fairy Tales __stages the original versions of well-known (and some lesser known) fairy tales at their most gruesome and horrific. Over the centuries many of these fables have evolved into sanitized entertainment for children, but they began as racy and violent tales intended to keep children from misbehaving.

Get lost in a dark forest and wander through the woods while becoming the characters and reliving the terrifying experiences extracted from over a dozen twisted stories handed down by The Brothers Grimm, Aesop, Hans Christian Andersen and more. Try and stay on the path as you go from cottage to cottage – each housing a familiar tale told in the way they were intended – to scare the wits out of you! Each cottage gets more and more intense until you reach the climactic conclusion. Then you have to find your way home. Be careful, though, there are hidden cottages to explore.

“The original purpose for virtually all fairy tales was to scare children straight, so they wouldn’t do anything dangerous, bad or amoral,” says co-director and creator Timothy Haskell. “We are going to teach those same lessons to our audiences! The narratives of the Fairy Tales chosen lend themselves to Nightmare’s unique theatricality, while giving opportunities for fantastical scenarios and set pieces.”

Another component to this year’s Nightmare will be a sensory assaulting 5-D theater experience called __The Experiment __created and directed by John Harlacher and Timothy Haskell. Unlike year’s past where the second event was a much smaller prelude to the main event, __The Experiment __is actually Full-on, every bit as satisfying and experiential as the haunted house. Experienced from your chair in a small lab, you are a subject in a case study for research on the threshold of fear.

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