Bizet's Carmen from West Bay Opera at Lucie Stern Theatre
* Additional fees apply.
All offers for Carmen have expired.
The last date listed for Carmen was Sunday October 26, 2008 / 2:00pm.
Currently at Lucie Stern Theatre:
- Full Price:
- $56.00 - $68.00
- Our Price:
- $29.50 - $35.50
Set in the French Antilles, this one-act musical from the creators of Ragtime and Seussical combines elements of both Romeo and Juliet and The Little Mermaid. The result is an exhilarating calypso-tinged story filled with infectious rhythms, rousing dance and exuberant theatricality. The Tony-nominated hit chronicles the fairy-tale love of a young peasant girl for a handsome young aristocrat -- a love that leads her to save him from death. As the gods debate the star-crossed lovers' fate, the islanders gather to sing and celebrate the hope of the human spirit. Learn More
Reviews & Ratings
Carmen, a sensuous gypsy in 1870s Seville, lives in the moment, and her zest for life makes men flock to her. Don José, a soldier, is no exception. Falling madly in love with Carmen, he abandons his first love, neglects his mother, becomes a deserter and joins Carmen and the gypsy smugglers. But Carmen soon loses interest in him, and rejects him in favor of Escamillo, the bullfighter. Desperately jealous, Don José kills her.
Sung in French with English supertitles.
Music by George Bizet
Libretto by Henri Meilhac and Ludovic Halévy
After the novella by Prosper Mérimée
Conductor: Michel Singher
Director: David Cox
About the Ticket Supplier: West Bay Opera
Performing both the familiar and the adventurous, West Bay Opera seeks to please and challenge singers and audiences with three productions per season, one each in October, February, and May. The repertoire includes standard popular works, lesser-known operas and operettas, and occasionally operas by modern composers. Some of West Bay Opera’s greatest successes result from undertaking formidable artistic challenges. Past accomplishments include Bellini’s rarely-performed Norma, Tchaikovsky’s Eugene Onegin in the original Russian, and Wagner’s Der Fliegende Holländer. The principal consideration is always to give talented young opera singers an opportunity to perform challenging roles and, in turn, to give audiences the pleasure of hearing these singers on their way to fame.