West Bay Opera Presents Cavalleria Rusticana and Pagliacci
* Additional fees apply.
All offers for Cavalleria Rusticana and Pagliacci have expired.
The last date listed for Cavalleria Rusticana and Pagliacci was Sunday October 21, 2007 / 2:00pm.
Currently at Lucie Stern Theatre:
- Full Price:
- $56.00 - $68.00
- Our Price:
- $29.50 - $35.50
Set in the French Antilles, this one-act musical from the creators of Ragtime and Seussical combines elements of both Romeo and Juliet and The Little Mermaid. The result is an exhilarating calypso-tinged story filled with infectious rhythms, rousing dance and exuberant theatricality. The Tony-nominated hit chronicles the fairy-tale love of a young peasant girl for a handsome young aristocrat -- a love that leads her to save him from death. As the gods debate the star-crossed lovers' fate, the islanders gather to sing and celebrate the hope of the human spirit. Learn More
Reviews & Ratings
Southern Italian village life, dominated by a peculiar mix of Church morals and the Sicilian code of honor, provides the backdrop for these two verismo masterpieces about love and betrayal. In Cavalleria rusticana, tipped off by Santuzza, the betrayed and pregnant girlfriend, Alfio kills Turiddu, his wife’s lover, in a knife fight. In Pagliacci, blurring the line between performance and life, Canio the clown kills both Nedda, his wife, and Silvio, her lover, on the circus stage in front of a stunned audience.
Performed in Italian with English titles.
About the Ticket Supplier: West Bay Opera
Performing both the familiar and the adventurous, West Bay Opera seeks to please and challenge singers and audiences with three productions per season, one each in October, February, and May. The repertoire includes standard popular works, lesser-known operas and operettas, and occasionally operas by modern composers. Some of West Bay Opera’s greatest successes result from undertaking formidable artistic challenges. Past accomplishments include Bellini’s rarely-performed Norma, Tchaikovsky’s Eugene Onegin in the original Russian, and Wagner’s Der Fliegende Holländer. The principal consideration is always to give talented young opera singers an opportunity to perform challenging roles and, in turn, to give audiences the pleasure of hearing these singers on their way to fame.