Wagner's Der fliegende Holländer, Presented by West Bay Opera
* Additional fees apply.
All offers for Wagner's Der fliegende Holländer have expired.
The last date listed for Wagner's Der fliegende Holländer was Sunday June 1, 2008 / 2:00pm.
Currently at Lucie Stern Theatre:
- Full Price:
- $56.00 - $68.00
- Our Price:
- $29.50 - $35.50
Set in the French Antilles, this one-act musical from the creators of Ragtime and Seussical combines elements of both Romeo and Juliet and The Little Mermaid. The result is an exhilarating calypso-tinged story filled with infectious rhythms, rousing dance and exuberant theatricality. The Tony-nominated hit chronicles the fairy-tale love of a young peasant girl for a handsome young aristocrat -- a love that leads her to save him from death. As the gods debate the star-crossed lovers' fate, the islanders gather to sing and celebrate the hope of the human spirit. Learn More
Reviews & Ratings
Wagner's Der fliegende Holländer (The Flying Dutchman)
(in German with English titles)
Conductor: José Luis Moscovich
Director: David Ostwald
For centuries, the Flying Dutchman sails the seas, condemned to live until he can find salvation in the love of a truly faithful woman. Senta, a teenage village girl on the Norwegian coast, proves faithful to the death. This is love, betrayal, and redemption Wagner style. Der fliegende Holländer is an early work of genius, and the last of Wagner’s italianate operas.
About the Ticket Supplier: West Bay Opera
Performing both the familiar and the adventurous, West Bay Opera seeks to please and challenge singers and audiences with three productions per season, one each in October, February, and May. The repertoire includes standard popular works, lesser-known operas and operettas, and occasionally operas by modern composers. Some of West Bay Opera’s greatest successes result from undertaking formidable artistic challenges. Past accomplishments include Bellini’s rarely-performed Norma, Tchaikovsky’s Eugene Onegin in the original Russian, and Wagner’s Der Fliegende Holländer. The principal consideration is always to give talented young opera singers an opportunity to perform challenging roles and, in turn, to give audiences the pleasure of hearing these singers on their way to fame.