Wagner's Der fliegende Holländer, Presented by West Bay Opera
* Additional fees apply.
All offers for Wagner's Der fliegende Holländer have expired.
The last date listed for Wagner's Der fliegende Holländer was Sunday June 1, 2008 / 2:00pm.
Currently at Lucie Stern Theatre:
- Full Price:
- $42.00 - $48.00
- Our Price:
- $22.50 - $25.50
It's alive! Palo Alto Players presents Young Frankenstein, Mel Brooks' Broadway hit based on his classic 1974 movie. Brooks reunited with the creative team behind The Producers for a comedic re-imagining of the Frankenstein story. Follow young Dr. Frankenstein (pronounced "Fronkensteen") as he tries to complete his grandfather's work and bring a corpse back to life. He's aided by the hunchbacked, bulging-eyed Igor, his beautiful lab assistant, Inga and an eccentric housekeeper, Frau Blucher. Featuring larger-than-life characters and hilariously catchy tunes like "Transylvania Mania," "He Vas My Boyfriend" and "Puttin' on the Ritz," Young Frankenstein is guaranteed to produce monstrous laughs. Learn More
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Wagner’s Der fliegende Holländer (The Flying Dutchman)
(in German with English titles)
Conductor: José Luis Moscovich
Director: David Ostwald
For centuries, the Flying Dutchman sails the seas, condemned to live until he can find salvation in the love of a truly faithful woman. Senta, a teenage village girl on the Norwegian coast, proves faithful to the death. This is love, betrayal, and redemption Wagner style. Der fliegende Holländer is an early work of genius, and the last of Wagner’s italianate operas.
About the Ticket Supplier: West Bay Opera
Performing both the familiar and the adventurous, West Bay Opera seeks to please and challenge singers and audiences with three productions per season, one each in October, February, and May. The repertoire includes standard popular works, lesser-known operas and operettas, and occasionally operas by modern composers. Some of West Bay Opera’s greatest successes result from undertaking formidable artistic challenges. Past accomplishments include Bellini’s rarely-performed Norma, Tchaikovsky’s Eugene Onegin in the original Russian, and Wagner’s Der Fliegende Holländer. The principal consideration is always to give talented young opera singers an opportunity to perform challenging roles and, in turn, to give audiences the pleasure of hearing these singers on their way to fame.